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ZODIAC KILLER PROJECT Trailer: Charlie Shackleton Dissects the True Crime Genre with Unique Sundance Documentary
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You haven’t seen a true crime documentary quite like Charlie Shackleton’s Zodiac Killer Project. One of the best films at this year’s Sundance, where it won the NEXT Innovator Award, it finds the director revisiting a failed project to adapt...
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Restorations of Olivier Assayas’ Paris Awakens and A New Life Making North American Debut at BAM on November 4
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Restorations and retrospectives are plentiful enough that it’s hard to believe Oliver Assayas’ early career bears no imprint on American film culture. While certain pre-Cold Water titles could be obtained if one looks hard enough, 1991’s Paris Awakens and 1993’s...
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Sound And Vision: Dash Shaw
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In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at Sigur Rós' Seraph, directed by Dash Shaw. Dash Shaw made a huge impression with his two feature films,...
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THE HAND THAT ROCKS THE CRADLE Interview: In Coversation With Director Michelle Garza Cervera
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We sat down, virtually, with Mexican director Michelle Garza Cervera and talked about their new film, The Hand That Rocks The Cradle. The Hulu Original film from 20th Century Studios premieres exclusively on Disney+ October 22nd.   A reimagination of the...
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Recommended New Books on Filmmaking: The Mighty Clint, Abel Ferrara, Reapprasing Ed Wood, Jonathan Demme & More
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The world has long needed a memoir from Abel Ferrara, and now we’ve got one, along with smart studies of the lives and careers of Clint Eastwood, Jonathan Demme, and Ed Wood. Plus, a stunning exploration of The Crow and...
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NYFF Review: Late Fame Is a Towering Portrait of the Artist as a Newly Famous Man
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“Klara remembered who she was. She pulled away from the window and she was a sculptor, although she didn’t always believe it, an artist––she believed them sometimes when they said she wasn’t.”— Don DeLillo, Underworld It is early into Kent...
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NYFF Review: The Love That Remains is a Cathartic, Impressionistic Portrait of Love and Loss
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Hlynur Pálmason’s fourth feature marks a soft, Malickian left turn for the man behind the icy-bleak dramas Winter Brothers, A White, White Day, and Godland. Up against the rest of Pálmason’s oeuvre––which weighs viewers down with a grave obstinance, whether...
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NYFF Review: Below the Clouds is a Delicate Look at Life Under Mount Vesuvius
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With Mount Vesuvius looming over southwestern Italy’s idyllic region of Naples, both in history and imagery, one might reasonably think Gianfranco Rosi’s Below the Clouds is about the storied volcano, active and enormous. Yet the title announces Rosi’s focus clearly:...
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NYFF Review: The Currents is an Intimate Portrait of Fractured Identity
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The Currents begins with a curious, impulsive act. Lina (Isabel Aimé González Sola) is being recognized for her work in Switzerland when, suddenly, she completely disassociates. She can’t absorb the applause or adulation. Lina walks out of the event and wanders...
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Valeska Grisebach’s ‘The Dreamed Adventure’ – Everything We Know So Far …
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For fans of Valeska Grisebach, patience is a virtue. The Bremen born filmmaker, is known for her meticulous process, hence the long gaps between films. 2001’s Mein Stern and 2006’s Sehnsucht were followed by her 2017 breakout Western (read review)...
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