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Cannes Review: Alpha is a Half-Baked Misstep for Julia Ducournau
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Julia Ducournau has turned 180 degrees since Titane, the gritty and bizarre thriller that Spike Lee’s Cannes jury awarded the Palme d’Or in 2021. There’s no doubt that all eyes are on her newest, Alpha, in a way they weren’t...
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Caught Stealing Trailer: Austin Butler Navigates ’90s NYC in Darren Aronofsky’s Crime Drama
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Attempting to bounce back after his career nadir of The Whale, Darren Aronofsky has all the right ingredients for a much-needed energy boost. Led by Austin Butler, Caught Stealing follows a burned-out former baseball player as he’s unwittingly plunged into a wild fight...
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PREDATOR: KILLER OF KILLERS: New Poster And Trailer Out Now, Anthology Arrives on Disney+ on June 6th
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Playing some catchup this morning, with a new poster and trailer for Dan Trachtenberg's animated anthology, Predator: Killer of Killers, coming to Disney+ on June 6th.    The anthology story follows three of the fiercest warriors in human history: a...
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Fuori | 2025 Cannes Film Festival Review
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Hoosegow Girls: Martone Pays Delicate Tribute to Goliarda Sapienza “Never refuse to see the unpleasant aspects of life,” wrote Goliarda Sapienza in her widely regarded masterpiece The Art of Joy, which was published posthumously, decades after her death. A television...
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Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
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Two films from the Middle East explore the relationship between art and power.
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Cannes 2025: Nouvelle Vague, A Magnificent Life
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On two films from Cannes about famous French creators.
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Cannes 2025: Table of Contents
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A full rundown of our full coverage of the fest, as it happens.
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It Was Just an Accident | 2025 Cannes Film Festival Review
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Phantom Limb: Panahi Treads Ripples of Retribution Jafar Panahi continues to poke the bear with It Was Just an Accident, his latest being another film made without permission from the Iranian government and perhaps his most direct indictment of the...
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2025 Cannes Critics’ Panel: Day 8 – Mario Martone’s Fuori
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In an even split, and in two different waves, Italian filmmaker Mario Martone has populated the Un Certain Regard section with L’Amore molesto (1995) and Theatro di guerra (1998), then worked mostly as a stage director for operas before returning...
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Cannes Review: The Secret Agent is a Rousing, Unsettling Thriller from Kleber Mendonça Filho
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When Armando (Wagner Moura) finally resolves to seek a fake passport and one-way ticket out of Brazil for himself and his young son, he asks his father-in-law to suggest a spot where he could meet a fixer. The old man...
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