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NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln CenterA series of rare Korean cinema is on display in Celluloid Fever. Japan SocietyKazuhiko Hasegawa’s Anarchic Ethos features an ultra-rare print of The Man Who Stole the Sun—my pick...
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‘In the Grey’ Review: Guy Ritchie’s Breezy, Island-Set Actioner Chases Its Own Tail
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In the Grey has a jaunty spirit that cuts against the dour grain of many modern action films. The post ‘In the Grey’ Review: Guy Ritchie’s Breezy, Island-Set Actioner Chases Its Own Tail appeared first on Slant Magazine.
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New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. A Balcony in Limoges (Jérôme Reybaud) Reybaud observes a chance meeting between two former classmates...
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Cannes 2026: Fatherland, Parallel Tales
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On two big early Cannes premieres: the latest from the directors of "Ida" and "A Separation."
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Cannes 2026: Nagi Notes, Ashes
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On two films, including the opener of this year's competition for the Palme d'Or.
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TEENAGE SEX AND DEATH AT CAMP MIASMA: Canadian Premiere at Fantasia International Film Festival on July 17th
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The event chosen for the Canadian Premiere of Jane Schoenbrun's Teenage Sex and Death at Camp Miasma has been announced. [Read the whole post on screenanarchy.com...]
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“PARALLEL TALES”
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THE STORY – In search of inspiration for her new novel, Sylvie spies on her neighbors in the building across the street using a telescope. When she hires young Adam to help her with her daily routine, she has no idea...
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“SPECIES”
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THE STORY – Margot, a young intern at the most competitive ER in the country, has trouble keeping up in this stressful environment. As she’s confronted with multiple patients her age presenting unusual symptoms, her own body starts to show disturbing...
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Fatherland | 2026 Cannes Film Festival Review
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Every Mann for Themselves: Pawlikowski Remains Chilly with Cold War Permafrost Two iconoclastic German writers are locked in a spiritual duel for relevance at the onset of a tenuous new world order in Pawel Pawlikowski’s Fatherland, arguably more frosty than...
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2026 Cannes Critics’ Panel: Day 2 – Asghar Farhadi’s ‘Parallel Tales’
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After gaining international recognition with Berlinale entries in Silver Bear for Best Director About Elly (2009) and Golden Bear winning (plus Oscar winning) A Separation in 2011, Asghar Farhadi made the move to Cannes with 2013’s The Past (Bérénice Bejo...
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