admin

EXIT 8: NEON Announces Theatrical Release Date For Japanese Thriller
by admin|9 months ago|Screen Anarchy
NEON is releasing Genki Kawarmura's thriller, the live-action adaptation of the popular video game, this April. [Read the whole post on screenanarchy.com...]
continue reading
Echoes: How Young and Veteran Filmmakers in Pakistan Differ in Style and Storytelling
by admin|9 months ago|Screen Anarchy
Pakistani cinema has been shaped by both veteran and emerging filmmakers, whose contrasting approaches to style and storytelling define the industry today. While pioneers worked within technical and structural constraints to establish cinematic traditions, the new generation is pushing boundaries...
continue reading
THE INFINITE HUSK Review: The Human Body Is a Prison and a Wonder
by admin|9 months ago|Screen Anarchy
While many films (and art in general) grapple with the question of what it means to be human, science fiction offers the tropes and syntax to make that question more palpable, or give means to approach it from an atypical...
continue reading
Coogler vs. Anderson: The DGA Showdown That Could Define Who Comes Out On Top On Oscar Night
by admin|9 months ago|Next Best Picture
After “Sinners” beat out “One Battle After Another” and every other film in history with 16 Oscar nominations, the prospect of it actually pulling a Best Picture upset was taken much more seriously. Yet now that the guilds are next...
continue reading
A Conversation with Stephanie Ahn (BEDFORD PARK)
by admin|9 months ago|Hammer to Nail
Stephanie Ahn is a Korean American filmmaker who came to the United States at age two. She worked as an editor on films including Debra Granik’s Winter’s Bone (2010) and Israel Horovitz’s My Old Lady (2014) before setting out to...
continue reading
Interview: Andy & Carolyn London – 1981 (Short Film) 2026 Sundance Film Festival
by admin|9 months ago|Ioncinema
Set against the awkwardness of early adolescence, 8 minuter 1981 plunges the viewer into a moment when curiosity, fear, and desire collide without warning. What begins as a seemingly innocuous suburban rite of passage quietly mutates into something far more...
continue reading
Sundance Review: Aanikoobijigan Demands a Necessary Reclamation
by admin|9 months ago|The Film Stage
Even before his campaign for the removal of indigenous people from their land in the 1800s, Thomas Jefferson was pillaging burial grounds under the guise of scientific understanding. His actions predate those by countless archaeologists who followed suit: disturbing and...
continue reading
Sundance Review: Public Access is a Kaleidoscopic Celebration of Creativity
by admin|9 months ago|The Film Stage
A kaleidoscopic celebration of creativity and the boundaries of free speech, David Shadrack Smith’s Public Access revisits the birth of cable television, providing a complex oral history of its promises as a mirror for society and the first wave of...
continue reading
Exclusive Trailer for Saša Vajda’s Berlinale Premiere The Lights, They Fall
by admin|9 months ago|The Film Stage
Kicking off next week, the 2026 Berlinale will bring no shortage of new discoveries, and one on our radar is the feature debut from Saša Vajda. The lights, they fall—starring Mohammed Yassin Ben Majdouba, Flor Prieto Catemaxca, Mahira Hakberdieva, Safet...
continue reading
European Film Awards 2026 Interview: RIEFENSTAHL Filmmaker Andres Veiel on Myth, Guilt, Fascist Aesthetics
by admin|9 months ago|Screen Anarchy
Drawing on unprecedented access to Leni Riefenstahl's estate, Andres Veiel reflects on the long ethical labour of archival authorship, the filmmaker's complicity with power, and why confronting fascist imagery requires intellectual proximity rather than historical distance. [Read the whole post...
continue reading