admin

“KNIFE: THE ATTEMPTED MURDER OF SALMAN RUSHDIE”
||
THE STORY – Previously unseen footage captured by Salman Rushdie’s wife, Rachel Eliza Griffiths, documents his journey. Following not just his physical rehabilitation, but also the restoration of his spirit and optimism. Inspired by Rushdie’s memoir “Knife: Meditations After an...
continue reading
“IN THE BLINK OF AN EYE”
||
THE STORY – Three storylines, spanning thousands of years, intersect and reflect on hope, connection, and the circle of life. THE CAST – Rashida Jones, Daveed Diggs, Kate McKinnon, Jorge Vargas, Tanaya Beatty & Skywalker Hughes THE TEAM – Andrew...
continue reading
European Film Awards 2026 Interview: ARCO Director Ugo Bienvenu on Imagining the Future, Trusting Children, Avoiding Dystopia
||
French filmmaker and graphic novelist Ugo Bienvenu reflects on authorship in animation, the responsibilities of speculative storytelling, and the challenges of sustaining handcrafted cinema within a rapidly shifting global industry. [Read the whole post on screenanarchy.com...]
continue reading
Another Angle On: NATCHEZ
||
Natchez, Mississippi has a wealth of history, and a history of wealth – perhaps the only two facts its residents can agree on. Throughout much of the 19th century Natchez was one of the richest areas in the US thanks...
continue reading
The Next Best Picture Podcast – A Behind The Scenes Look At “The Testament Of Ann Lee”
||
“The Testament Of Ann Lee” had its world premiere in the main competition of the 82nd Venice International Film Festival, where it received positive reviews from critics, with Amanda Seyfried receiving acclaim for her performance (often described as “career-best” and...
continue reading
Sundance Review: The Incomer Offers Plenty of Character, Not Enough Laughs
||
The extended opening of The Incomer, written and directed by Louis Paxton, is very funny and engaging. That the film never reaches those heights again is something of an indictment. Far away and remote on a lonely, lovely Scottish isle,...
continue reading
‘Good Luck, Have Fun, Don’t Die’ Review: Gore Verbinski’s Fun Techno-Horror Wake-Up Call
||
The film suggests a 21st-century Bosch painting brought to you by OpenAI. The post ‘Good Luck, Have Fun, Don’t Die’ Review: Gore Verbinski’s Fun Techno-Horror Wake-Up Call appeared first on Slant Magazine.
continue reading
Sundance Review: Undertone is Heavy on Dread, Light on Ideas
||
undertone (stylized all-lowercase) writer-director Ian Tuason staged his debut feature entirely in his Toronto childhood home with only two on-screen actors, with the other performances playing out in audio form only. After a Fantasia premiere last summer nabbed it an...
continue reading
ISLANDS Review: Sun, Sand, Stripped-Down Noir
||
Sam Riley and Stacy Martin star in director Jan-Ole Gerster's sun-soaked thriller. [Read the whole post on screenanarchy.com...]
continue reading
Sundance Review: Barbara Forever is Much More Than a Celebration of a Great Artist
||
The best thing about Brydie O’Connor’s documentary Barbara Forever is how it functions an interesting, engaging movie on its own terms. It concerns the life of filmmaker Barbara Hammer, a pioneer of queer cinema and larger, cultural queer identity. And...
continue reading