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A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image’s First Look festival returns this week, taking place March 13-17.  As always, the annual festival brings...

A disaster horror comedy that’s equal parts Can’t Hardly Wait and Idle Hands, Kyle Mooney’s directorial debut Y2K is often hilariously sincere in its depiction of social and technological anxieties from the tail end of 1999. Mooney remembers all too...

It is possible that one day an excellent narrative feature in the vein of The Big Short, BlackBerry, Dumb Money or Margin Call will be made about MoviePass, a company built––and destroyed––by several larger-than-life figures. For now, we have Muta’Ali’s...