admin

Creature Feature Preacher Review Roundup: Kino, Warner Brothers, Mutant Records and Titan Books
||
Dave aka the Creature Feature Preacher here to recommend some recent books, records and movies. Nobody can keep up with the constant flood of cool stuff out there but as I always say it’s not about having all the cool...
continue reading
Locarno 2025 Review: MOSQUITOES Turns 1990s Nostalgia Into a Punk-Tinted Coming of Age
||
Valentina and Nicole Bertani's 'Mosquitoes' blends punk energy with coming-of-age intimacy to explore childhood as both refuge and rebellion in a world of distracted adults and dysfunction. [Read the whole post on screenanarchy.com...]
continue reading
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
||
On four films that just premiered at Venice, including a dramatic turn for Dwayne Johnson.
continue reading
Locarno 2025 Review: LAKE Immerses the Audience in a Sensorial Drift Between Body and Landscape
||
Fabrice Aragno abandons conventional storytelling in favor of a meditative, sensory experience where the human body, light, and landscape become the film's primary narrative elements. [Read the whole post on screenanarchy.com...]
continue reading
Sound And Vision: Adam Curtis
||
In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at Weyes Blood's God Turn Me Into A Flower, directed by Adam Curtis. As a director Adam Curtis is...
continue reading
Venice Review: An Impressive Dwayne Johnson Softens Benny Safdie’s The Smashing Machine
||
The Smashing Machine is a movie with a lot of heart and soul. It’s also a movie with great love for its subjects: the people involved and, for better and worse, the industry they helped build. It’s inspired by a...
continue reading
Locarno 2025 Review: THE FIN, Dystopian Sci-Fi Turns Environmental Collapse into Political Allegory
||
Syeyoung Park's sophomore film is a dystopian sci-fi grounded in political allegory, using environmental mutation and social exclusion to reflect on ideology, historical amnesia, and state control. [Read the whole post on screenanarchy.com...]
continue reading
Venice Review: The Wizard of Kremlin Proves an Irrelevant, Cynical Approach to Vladimir Putin’s Russian 
||
In April 2022, two months after Russia’s invasion of Ukraine, Italian author and political writer Giuliano da Empoli published a fictionalized account of Vladimir Putin’s ascent as seen through the eyes of his advisor. The Wizard of Kremlin almost immediately...
continue reading
Telluride Review: Noah Baumbach Makes His Fellini Film with Jay Kelly
||
Let’s start here: Billy Crudup is one of our truly great actors. Early into Jay Kelly, written by Noah Baumbach and Emily Mortimer and directed by Baumbach, Crudup appears for a one-scene turn that jump-starts the narrative. Over drinks, his...
continue reading
Locarno 2025 Interview: DON’T LET THE SUN Director Jacqueline Zünd Discusses Heat, Humanity, and the Poetics of Minimalism
||
Swiss filmmaker Jacqueline Zünd discusses the visual language, thematic layering, and hybrid process behind her fiction debut, offering insights into a future world shaped as much by emotional estrangement as by climate collapse. [Read the whole post on screenanarchy.com...]
continue reading