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Coming-of-age stories are practically a sub-genre of their own. Coming-of-middle-age stories, however, tend to be, if not few and far between, then far more rare. That’s likely due to studio perceptions of what does and doesn’t sell: young adult-oriented films,...

In writer-director Jane Schoenbrun’s (We're All Going to the World's Fair) second feature-length film, I Saw the TV Glow, cult fandoms, the positives and perils inherent in nostalgia (tonic or toxin), and the boundless search for personal identity, specifically trans...

Australian filmmaker Jaydon Martin blurs the lines between documentary and narrative storytelling, offering a lyrical exploration of life's complexities through the lens of a blue-collar community in rural Australia. [Read the whole post on screenanarchy.com...]

Filmmaker Spike Lee generally gets credit for inserting the “magical negro” phrase into pop culture more than two decades ago, but the idea itself dates back decades, if not longer. Coined to reflect the tradition in fiction or film of...

Tenement proves that a good ghost story can't get by on visuals alone. This Cambodian genre film by Inrasothythep Neth and Sokyou Chea deserves some praise because it is the rare horror effort out of that country. But when push...

Bonnie is the sole employee of a food truck, having fallen in love with cooking after a slightly magical-realist experience she had as a child. When she meets up with her estranged uncle, lines between life and death, dream and...

The summer between the end of high school and for some, college, can be filled with an unequal combination of anxiety and anticipation. Anxiety of the unknown and anticipation of new and novel experiences, of new friends and new relationships,...

It’s not being provocative — at least not intentionally — to suggest families, biological and otherwise, can seriously f*ck you up. Parents can fail their children. Children can fail their parents. Whether realistic or the opposite, expectations in either direction...

When Alexandre Bustillo and Julien Maury stormed onto the scene with A L'Interieur it was with a promise that was central to the appeal of that film: "we are not gonna pull any punches". As important linchpins of the New...