Chuck Russell is certainly committed to making an old-school, effects-laden genre thrill ride. The post ‘Witchboard’ Review: Spirited Direction Almost Dispels the Curse of Insipid Material appeared first on Slant Magazine.
The film recalls the themes of Rebecca and the temporal displacements of Alain Resnais’s work. The post ‘Went Up the Hill’ Review: Samuel Van Grinsven’s Transfixing, Sensorial Ghost Story appeared first on Slant Magazine.
The overriding suspense here is largely created by watching truth become negotiable. The post ‘The Knife’ Review: Nnamdi Asomugha’s Thriller About the Slipperiness of Truth appeared first on Slant Magazine.
The film is mostly memorable for its depiction of a city gradually hollowing itself out. The post ‘White Snail’ Review: In Search of Romance in the Shadow of the Russia-Ukraine War appeared first on Slant Magazine.
Plus: 'King of the Hill' reigns in our weekly guide to new and noteworthy indie and international genre fare. [Read the whole post on screenanarchy.com...]
In Nine Behind, one of Sophy Romvari’s earliest shorts, a young woman is heard sobbing on the phone to her estranged grandfather: “I want to know my family.” It’s a line that haunts all the films the director’s made since....
The film is efficiently orchestrated, but its storytelling is remarkably leaden and incoherent. The post ‘The Birthday Party’ Review: Willem Dafoe Is a Billionaire Menace in Undercooked Melodrama appeared first on Slant Magazine.
I am feeling whimsical in the back half of summer, and this simple design for Hiroshi Okuyama's nostalgic love story, My Sunshine, is doing the trick. Normally the Koreans excel at this kind of design, where there is little fuss...
NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln CenterA career-spanning Luc Moullet retrospective begins; In the Mood for Love and In the Mood for Love 2001 continue. Museum of Modern ArtA Michael Caine retrospective begins. Film ForumThe long-lost director’s...