THE BEAST Trailer: Léa Seydoux & George MacKay Are Lovers Across Time in Bertrand Bonello’s Sci-Fi Parable
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“What is stronger, your fear or your love for me?” One of the most exciting, versatile filmmakers of today is without a doubt, Bertrand Bonello. The French writer-director (Saint Laurent, Nocturama) returns with his futuristic tenth feature that is sure...
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Museum of the Moving Image Unveils Lineup for its 2024 First Look Festival
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NYC’s Museum of the Moving Image has announced the full lineup for its 2024 First Look Festival. The festival offers a diverse slate of major New York premieres, work-in-progress screenings & sessions, gallery installations, and fresh perspectives on the art and process of filmmaking.  Its...
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RIDDLE OF FIRE Trailer: Mischievous Kids Battle Wicked Grownups in 16mm Neo-Fairytale
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“I’m gonna get you kids!” The classic story of adventurous children getting up to no good gets a 16mm revamp in writer-director Weston Razooli’s Riddle of Fire. Razooli’s directorial debut premiered at last year’s Cannes Film Festival and closed TIFF’s...
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CHRONICLES OF A WANDERING SAINT Sneak Peek: See An Exclusive Clip For Independent Spirit Award-Nominated Comedy
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One of the best indie gems to look out for this year is Argentinian writer-director Tomás Gómez Bustillo’s Chronicles of a Wandering Saint. This supernatural comedy premiered at SXSW 2023 where it won the Adam Yauch Hörnblowér Award, and has...
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New Trailer for Love Lies Bleeding Highlights the Lesbian Bodybuilding Neo-Noir of the Year
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One of the most purely entertaining viewing experiences at Sundance Film Festival this year was Rose Glass’ Love Lies Bleeding, which is quite a level up in terms of ideas from her debut Saint Maud. Starring Kristen Stewart, Katy O’Brian, Jena...
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Sundance 2024 Review: A DIFFERENT MAN, Idea-Rich Genre Mash-Up Stumbles, Falls, Dissatisfies
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In Aaron Schimberg’s (Chained for Life, Go Down South) latest film, A Different Man, Edward (Sebastian Stan), a man euphemistically described as “facially different,” finds himself unmoored from the life he once had and rejected and the life he thought...
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Rotterdam Review: Toshihiko Tanaka’s Rei is an Ambitious Directorial Debut That Draws from Hamaguchi
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It was more than eight years ago that the virtually unknown Ryusuke Hamaguchi premiered Happy Hour, a five-hour narrative masterclass about four thirty-something women coming to terms with their own lives and relationship to one another. Against all odds, Hamaguchi...
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Ennio Review: A Simplistic Overview of a Towering Career
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“A director can’t understand the final result from a description. You cannot describe music; it needs to be listened to.” So says Ennio Morricone in one of many talking-head sections that comprise Giuseppe Tornatore’s documentary. But Ennio, as it’s aptly...
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The Monk and the Gun Review: Bhutan’s Oscar Entry is a Too-Gentle, Offbeat Crime Caper Meets Political Dramedy
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There is very little written in the English language about the cinema of Bhutan, with only the broadest overviews of this still-emerging industry to be found at a glance. Not producing its first feature until the 1990s––and not producing one...
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Mia Wasikowska Wants to Purify Your Body in First Trailer for Jessica Hausner’s Club Zero
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Across her five previous features, Austrian director Jessica Hausner (Amour Fou, Lourdes, Little Joe) has developed a distinctly unique tone and now she’s back with her sixth outing, Club Zero. Led by Mia Wasikowska, the dark satire follows a nutrition...
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