admin

‘The Naked Gun’ Review: An Uproarious, Old-School Spoof of More Than Just Cop Dramas
||
The Police Squad is back, and under new, extremely capable management. The post ‘The Naked Gun’ Review: An Uproarious, Old-School Spoof of More Than Just Cop Dramas appeared first on Slant Magazine.
continue reading
Bradley Cooper’s Is This Thing On? Will World Premiere at NYFF63 as Closing Night
||
Following their Opening Night and Centerpiece announcements, Film at Lincoln Center has now announced Bradley Cooper’s Is This Thing On? as the Closing Night selection of the 63rd New York Film Festival, making its world premiere at Alice Tully Hall on...
continue reading
Exclusive Trailer for Le Lac, the Locarno-Bound Feature Debut from Jean-Luc Godard Collaborator Fabrice Aragno
||
After years of directing shorts and collaborating with Jean-Luc Godard on his final films, Swiss director Fabrice Aragno will premiere his directorial debut at the Locarno Film Festival. Le Lac, a 75-minute feature starring Clotilde Courau and Bernard Stamm, will...
continue reading
She Rides Shotgun Review: Father-Daughter Bonding Through Bloodshed
||
Based on the novel by Jordan Harper, with a screenplay by Harper and Ben Collins & Luke Piotrowski, and directed by Nick Rowland, She Rides Shotgun is a punchy, elemental thriller featuring Taron Egerton in an intense, engaging lead role....
continue reading
Watch: Emma Stone Reunites Yet Again with Yorgos Lanthimos for Jerskin Fendrix Music Video
||
Following The Favourite, Bleat, Poor Things, Kinds of Kindness, and the forthcoming Bugonia, Yorgos Lanthimos has released his sixth collaboration with Emma Stone. This time, it’s their first music video. Jerskin Fendrix (composer of Poor Things, Kinds of Kindness, and...
continue reading
New York Asian 2025 Review: ATTACK 13 Finds Ghostly Horrors in Thailand
||
Real-world bullying turns to supernatural vengeance in a new high school horror film from Thailand. [Read the whole post on screenanarchy.com...]
continue reading
Fantasia 2025 Short Film, Short Review: BARLEBAS
||
Shot in lush and misty black & white, with superbly framed large-canvas photography, and truly exceptional production design, Malu Janssen’s Barlebas is a 20-minute short of a literal witch-hunt. One which perfectly balances the epic and the intimate, the tender and...
continue reading
New York Asian 2025 Review: RAVENS Explores the Life of Japanese Photographer Masahisa Fukase
||
Largely unrecognized during his lifetime, Masahisa Fukase is now regarded as one of the key Japanese photographers of the past 60 years. Ravens presents a kaleidoscopic account of his life, anchored by a riveting performance by Tadanobu Asano. The film's...
continue reading
New York Asian 2025 Review: THE INFORMANT, Moles Turn Double Agents in Labored Korean Crime Farce
||
Opening night at this year's New York Asian Film Festival featured the world premiere of The Informant, a crime comedy from South Korea. Despite engaging stars, this ride hits a lot of potholes. Key to the plot is a ledger...
continue reading
Fantasia 2025: A Grand Mockery, Every Heavy Thing, Anything That Moves
||
On three weird, avant-garde films that found purchase at this year's festival.
continue reading