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New to Streaming: The Brutalist, The Wedding Banquet, Deaf President Now!, I’m Still Here & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. The Brutalist (Brady Corbet) Brady Corbet’s long-gestating architecture epic looks and feels as painstakingly...
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2025 Cannes Critics’ Panel: Day 3 – Óliver Laxe’s ‘Sirat’
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When he was selected for the prestigious competition section this past April, Paris-born Spanish  of Galician background filmmaker Óliver Laxe achieved a remarkable feat of having all four of his films in all sections of Cannes. His first three films...
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2025 Cannes Critics’ Panel: Day 3 – Dominik Moll’s ‘Dossier 137’
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Known for a filmography heavy into psychological thriller portraits with noir and crime element trimmings, the French-German filmmaker saw his second and third features films land in the Palme d’Or competition back with With a Friend Like Harry… (2000) and...
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Sirat | 2025 Cannes Film Festival Review
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A Bridge Too Far: Laxe Enters the Zone “The Zone wants to be respected. Otherwise it will punish.” Aleksandr Kayadonvsky’s line from Tarkovsky’s existential sci-fi classic Stalker (1979) comes to mind when viewing Sirat, the fourth and arguably most accessible...
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NYC Weekend Watch: Cymbeline, Malcolm X, Kira Muratova, Fury Road on 35mm & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Brooklyn Center for Theatre ResearchMichael Almereyda’s Cymbeline screens on Friday with the director present for an intro and Q&A. BAMA celebration of Malcolm X’s centennial brings Spike Lee’s biopic, Black...
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The Ballad of Suzanne Césaire Trailer: Madeleine Hunt-Ehrlich’s Striking Debut Arrives in June
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A directorial debut as hypnotic as it is narratively destabilizing, Madeleine Hunt-Ehrlich was one of my favorite discoveries of last year’s New York Film Festival. A post-biopic about Caribbean surrealist Suzanne Césaire, deconstructing the process of bringing an actually-lived life...
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Dossier 137 | 2025 Cannes Film Festival Review
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Investigation of Citizens Above Suspicion: Moll Persists with Police Procedural Dominik Moll reunites with his usual collaborating scribe Gilles Marchand in Dossier 137, their third genre oriented title in a row following Only the Animals (2019) and their runaway hit...
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Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
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The opening days of the fest included strong words from Palme recipient Robert De Niro on our present political moment.
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‘Hurry Up Tomorrow’ Review: The Weeknd Leans into Histrionic, Doom-Laden Navel-Gazing
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The film is less a work of clear-eyed introspection than a calculated image rebrand. The post ‘Hurry Up Tomorrow’ Review: The Weeknd Leans into Histrionic, Doom-Laden Navel-Gazing appeared first on Slant Magazine.
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Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
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Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.
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