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Interview: Wes Anderson and Michael Cera on Bringing ‘The Phoenician Scheme’ to Life

by admin|1 year ago30 May 2025|Slant Magazine

Anderson and Cera discuss why they reject the film being classified as “deadpan.” The post Interview: Wes Anderson and Michael Cera on Bringing ‘The Phoenician Scheme’ to Life appeared first on Slant Magazine.

New to Streaming: Who by Fire, A Desert, Bono: Stories of Surrender, On Swift Horses & More

by admin|1 year ago30 May 2025|The Film Stage

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Bono: Stories of Surrender (Andrew Dominik) After his wildly divisive Blonde was released three years ago,...

BONO: STORIES OF SURRENDER Review: Let the Little Man Tell His Story

by admin|1 year ago29 May 2025|Screen Anarchy

The one-man stage show by Bono comes vividly to life under Andrew Dominik's direction. [Read the whole post on screenanarchy.com...]

NYC Weekend Watch: Hatari! on IB Technicolor

by admin|1 year ago29 May 2025|The Film Stage

NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaWe’re presenting an IB Technicolor print of Howard Hawks’ Hatari! this Friday and Sunday; Friday also brings Mad Max: Fury Road on 35mm and Agnès Varda’s Lions Love (…and...

KARATE KID: LEGENDS Review: Old-School Formula Reworked for the 21st Century

by admin|1 year ago29 May 2025|Screen Anarchy

The 1980s were a veritable Golden Age for fans of The Karate Kid franchise. Starting in 1984 with the John G. Avildsen-directed The Karate Kid, the loose trilogy took Daniel LaRusso (Ralph Macchio), a lifelong underdog and first-time martial...

It’s Non-separation for Janus Films and Hlynur Pálmason’s “The Love That Remains”

by admin|1 year ago29 May 2025|Ioncinema

The Love That Remains emerged as one of the best-reviewed films at this year’s Cannes Film Festival, with many critics arguing it deserved a Competition slot—much like his 2022 standout Godland—rather than its placement in the Cannes Premiere section. Now,...