The Cannes Film Festival is underway, and Ethan Coen will have the distinction of capping off the year’s finest in cinema with a midnight premiere (this Friday) of his next solo-directing effort, Honey Don’t. Written with his partner Tricia Cooke,...
It’s now been 30 years since Lars von Trier and Thomas Vinterberg launched the Dogme 95 movement, featuring a set of stripped-down filmmaking rules to put power back in the hands of directors. While films such as Festen, The Idiots,...
A favorite filmmaker of the festival, and perhaps the best Brazilian filmmaker currently working, Kleber Mendonça Filho has been to Cannes on many occasions. He has been a fiour star tyope of filmmaker for us with Aquarius (read ★★★★ review)...
Ferdinand Magellan was never regarded as a great man of history, and Lav Diaz’s surprisingly conventional––if still hypnotically paced––biopic uses genre structure to act as a further repudiation of his legacy. Born out of a long-in-the-works project focused on Magellan’s...
Near the climax of Lynne Ramsay’s You Were Never Really Here, two assassins––one well-dressed but dying, the other ragged but definitely alive––laid together on a kitchen floor, their hands lightly touching as Charlene’s “Never Been to Me” drifted in from...
Christian Petzold’s fifteenth feature Mirrors No. 3 marks his fourth with Paula Beer, the actor-muse he first directed in 2018’s Transit, a film that shares significant themes with his newest––chiefly that of total strangers inexplicably recognizing each other and immediately...
(Check out Savina Petkova’s Peak Everything movie review. The film just had its premiere at the Cannes Film Festival. Seen it? Join the conversation with HtN on our Letterboxd Page.) As we are nearing the point of no return and...