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If Criterion’s influence from the last 15-or-so years must distilled to one figure, a good candidate might be Edward Yang. The near-instant canonization of Yi Yi, A Brighter Summer Day, and Taipei Story––not quite tailor-made for constant sell-out screenings or...

Kicking things off with a small but enticing update, following last year’s incredible cine-memoir It’s Not Me, Leos Carax is finally prepping a 2026 shoot for his first narrative feature since Annette. While not much is known about the project,...

Horror movies explicitly tackling grief are hardly a recent development, but it’s difficult to argue against the fact that we’ve seen this theme exploited at an increased output to less-satisfying results in the previous decade, adding unnecessary weight to even...