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NYC Weekend Watch: The Unknown, João César Monteiro, Robert Downey Sr. & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Brooklyn Center for Theatre ResearchMy Dylan-scored cut of Tod Browning’s The Unknown has one more screening on Saturday. Museum of Modern ArtA complete João César Monteiro retrospective begins (watch our exclusive trailer...
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11 Times That D’Angelo Made a Movie Better with his Music
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A tribute to D'Angelo through how his music shaped some classic films (and one video game).
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BLACK PHONE 2 Review: A Snowbound Supernatural Slog
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It's been four years since Finney (Mason Thomas) killed notorious child killer The Grabber (Ethan Hawke) and escaped from his basement dungeon. While he and his sister Gwen (Madeleine McGrew) have spent the intervening years building a new life, it...
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In Mubi’s “Hal & Harper,” Cooper Raiff Has a Hard Time Growing Up
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What elevates the show's hazy presentation, though, is the performances of Reinhart and Ruffalo.
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The 11 Best Body-Swap Movies, Ranked
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With "Good Fortune" entering theaters, we break down some of our favorite tales of switched identities.
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The Mastermind | Review
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Thieves Like Us: Reichardt Wanders with an Inscrutable Slacker Abstract paintings are not the only undefined objects in The Mastermind, the latest from Kelly Reichardt, who has become a master herself at creating quiet, emotionally resonant characterizations of lonely, isolated...
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Charlie Kaufman and Eva H.D. on the Creative Freedom of Short Films, Unproduced Scripts, and Staying Challenged
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From just his scripts alone, Charlie Kaufman is certainly one of the most distinctive voices in American cinema, be it Being John Malkovich or Adaptation. Ever since 2008’s Synecoche, New York, he’s turned to directing, realizing his visions of neurosis...
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Alpha | Review
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Turn to Stone: Ducournau Hits a Wall with Disease Allegory “Death is the cure for all illness,” wrote English writer Thomas Browne, which is a sentiment one can apply to Alpha, the third film from budding body horror extraordinaire Julia...
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BFI London Review: Left-Handed Girl is a Striking Drama Told Through a Child’s Eyes
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The neon-lit alleyways of Taipei’s night markets have never looked quite so vivid as they do through a child’s eyes. Shot on an iPhone to emphasize the sheer wonderment of a five-year-old’s POV, where every mundane backstreet is filled with...
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NYFF Review: Scarlet Finds Mamoru Hosoda Simplistically Adapting a Timeless Tale
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Across two decades of crafting animated features, director Mamoru Hosoda has made both intimate dramas like Wolf Children and high-concept films like the science-fiction spectacle Summer Wars. In 2019, his family fantasy Mirai was nominated for an Academy Award, becoming...
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