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SCHOOL FOR DEFECTORS
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(Check out m.j. O’TOOLE’S School for Defectors MOVIE REVIEW. It premiered at True/False and will next play at DC/DOX on Saturday, June 13. Seen it? Join the conversation with HtN on our Letterboxd Page.) Documentarian and master movie-trailer editor Jeremy Workman...
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THE FURIOUS Review: The Action World Has Been Served Notice
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A father fights fiercely against ruthless kidnappers to save his abducted daughter. [Read the whole post on screenanarchy.com...]
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Cemre Paksoy’s Hands Are Tied In Trailer for Georgia Bernstein’s Sinister Sundance Favorite Night Nurse
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If 2026 was, probably, not a banner year for Sundance—nor the ideal send-off to Park City, but let’s not get into that now—the best titles still made a fine impression. Standing among our favorites was Georgia Bernstein’s feature debut Night...
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For Your Consideration: 2026 Emmy Contenders
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Today marks the beginning of Emmy nomination voting for the Television Academy. Voting runs until June 22nd, and final nominations will be announced on July 8th. As always, there are so many shows to consider, both new and returning, but...
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THE FURIOUS Interviews: Director Kenji Tanigaki and Producer Bill Kong
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Few action films have been as eagerly anticipated as The Furious. Since its premiere at the 2025 Toronto International Film Festival, word of mouth has been building about the film's over-the-top stunts, driven by intense choreography and relentless editing. Directed...
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Marcello Mastroianni Yearns In Trailer for 4K Restoration of Luchino Visconti’s White Nights
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Though among the great films of its time, proof-positive of the Italian studio system’s genius, and a peak for both director Luchino Visconti and star Marcello Mastroianni, White Nights has never quite occupied the canonical position it so severely deserves....
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Tribeca Review: Here I’m Alive Is a Raw, Intimate Look at Messy New York Lives
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Here I’m Alive, Joshua Z. Weinstein’s follow-up to his 2017 breakout Menashe, is an intimate and claustrophobic mosaic of New York City life, a film that is both challenging and subtly rewarding. Embracing a micro-budget aesthetic that recalls Sean Baker’s early works Take...
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I Am Frankelda Review: Mexico’s First Stop-Motion Feature Speaks Truth to Power
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Note: This review was originally published as part of our 2025 Fantasia coverage. The film arrives on Netflix on June 12. More than the similarly mythologized Monsters, Inc., the first stop-motion feature produced in Mexico (courtesy of the Cinema Fantasma...
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The Gas Station Attendant Review: A Compelling If Formally Unsure Immigrant Story
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In a political climate as antagonistic toward immigrants as any I can recall, deeply personal stories like Karla Murthy’s The Gas Station Attendant remind us of the hardship and passion required to make it in the United States. One would hope these...
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The 20 Best Films of 2026 So Far
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The staff weighs in on what's stood out to them in the year to date.
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