Why “I’m Still Here” Will Always Be a Powerful Watch
Our South Korean correspondent takes another look at the ever-powerful I'm Still Here.
continue reading
‘A House of Dynamite’ Review: Kathryn Bigelow’s Nerve-Shredding Vision of Nuclear Doomsday
A House of Dynamite stares down impossible questions about an unthinkable scenario. The post ‘A House of Dynamite’ Review: Kathryn Bigelow’s Nerve-Shredding Vision of Nuclear Doomsday appeared first on Slant Magazine.
continue reading
SONS OF THE NEON NIGHT Review: Juno Mak’s Long-Gestating Hong Kong Crime Epic is all Surface, No Feeling
Visually striking yet narratively incoherent, Juno Mak’s ambitiously staged yet lethargically paced Hong Kong crime saga Sons of the Neon Night finally arrives on home shores, more than a decade after the project was originally announced. Takeshi Kaneshiro and...
continue reading
New York 2025 Review: AFTER THE HUNT, Psychological Drama Aims at Everything at Once, Misses All the Targets
Julia Roberts, Andew Garfield, Ayo Edibiri, Michael Stuhlberg, and Chloe Sevigny star in Luca Guadagnino's new drama. [Read the whole post on screenanarchy.com...]
continue reading
‘Anemone’ Review: Ronan Day-Lewis’s Vaporous Portrait of a Man’s Journey Toward Redemption
Anemone is especially preoccupied with what religion giveth and taketh away. The post ‘Anemone’ Review: Ronan Day-Lewis’s Vaporous Portrait of a Man’s Journey Toward Redemption appeared first on Slant Magazine.
continue reading
NYFF Review: Anemone Marks a Breakout Debut and a Riveting Return for Daniel Day-Lewis
The first time Daniel Day-Lewis shows up in Anemone, he’s cloaked in shadow, sitting inside a small cabin in the middle of the North England wilderness. It’s a nearly indecipherable introduction that almost feels by design—a soft, silhouetted launch for his...
continue reading
‘Nouvelle Vague’ Review: Richard Linkater’s Love Letter to the French New Wave
There’s pleasure to Nouvelle Vague’s winking affection for Godard’s Breathless. The post ‘Nouvelle Vague’ Review: Richard Linkater’s Love Letter to the French New Wave appeared first on Slant Magazine.
continue reading
‘Good Boy’ Review: A Supernatural Horror Film from a Canine’s Point of View
Good Boy finds several clever ways to draw us in to its canine perspective. The post ‘Good Boy’ Review: A Supernatural Horror Film from a Canine’s Point of View appeared first on Slant Magazine.
continue reading
‘Trains’ Review: Mariejf Drygas Refracts the Early 20th Century Through a Locomotive Prism
The film’s archival images conjure a sensation of inexorable doom. The post ‘Trains’ Review: Mariejf Drygas Refracts the Early 20th Century Through a Locomotive Prism appeared first on Slant Magazine.
continue reading
‘Bone Lake’ Review: A Matter of FetLife and Death
The horror here proves as much a dead end as the main characters’ relationship. The post ‘Bone Lake’ Review: A Matter of FetLife and Death appeared first on Slant Magazine.
continue reading
Lorem Ipsum is simply dummy text of the printing and typesetting industry. Lorem Ipsum has been the industry’s standard.
About Author
Sundance Drops Full 2024 Lineup3 years ago
POOR THINGS Review: Both Hideous…3 years ago
THE BOY AND THE HERON…3 years ago
THE SEEDING Trailer: Barnaby Clay’s…3 years ago
