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SXSW Review: Jay Duplass’ The Baltimorons is a Sincere Throwback to Mumblecore’s Heyday
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A return to form for Jay Duplass, who’s also making his solo-directing debut, The Baltimorons is a charming throwback to the low-budget indies he directed with his brother Mark. Written and starring burly stand-up comedian Michael Strassner, the Baltimore-set film...
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VOICES CARRY: Teaser Trailer Arrives Ahead of World Premiere This Weekend
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Abby Brenker and Ellyn Vander's thriller Voices Carry will have it's world premiere at Cinequest this Saturday, March 15th. The first teaser trailer has arrived. You can check it out down below.    VOICES CARRY, the new thriller from writer/directors...
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Preview: First Look at Museum of Moving Image 2025
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A highlight of the MoMI’s annual film programs, the 14th edition of First Look returns, today through March 16, with a diverse lineup — 38 films including four world premieres and 23 U.S. or North American premieres, representing 21 countries...
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THE UGLY STEPSISTER: IFC Films And Shudder Announce Theatrical Date For Dark Satire Fantasy Horror
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IFC Films and Shudder have announced the theatrical date for Emilie Blichfeldt's feature directorial debut, The Ugly Stepsister. The dark satire and fairy tale horror flick from Norway will arrive in cinemas on April 18th.    Elvira battles against her...
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DEAD LOVER: Horror Comedy Acquired For Distro in North America
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A newly minted distribution outfit, Cartuna x Dweck, has announced that they have acquired the North American rights for Grace Glowicki’s horror comedy, Dead Lover. The film had its Texas premiere at SXSW on Sunday.   A lonely gravedigger who...
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The Day the Earth Blew Up: A Looney Tunes Movie Review: An Enjoyable Exercise in Updated Nostalgia
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We’ve had Looney Tunes for nearly a century. Leon Schlesinger produced their first short Sinkin’ in the Bathtub alongside animators Hugh Harman and Rudolf Ising in 1930. Almost 100 years later, the only Looney Tunes feature films (outside of theatrically...
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‘Holland’ Review: Mimi Cave’s Thriller Is an Inert Vision of White Female Dissatisfaction
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Holland doesn’t seem to want us to know what to make of it. The post ‘Holland’ Review: Mimi Cave’s Thriller Is an Inert Vision of White Female Dissatisfaction appeared first on Slant Magazine.
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‘Opus’ Review: Mark Anthony Green Takes Jabs at Celebrity Culture, but Without Conviction
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The film seems fundamentally disinterested in what makes celebrity so compelling. The post ‘Opus’ Review: Mark Anthony Green Takes Jabs at Celebrity Culture, but Without Conviction appeared first on Slant Magazine.
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PUSH: Shudder Acquires Home Invasion Horror From THE BOY BEHIND THE DOOR Duo
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Shudder have announced that they have acquired Push, the home invasion horror from David Charbonier and Justin Powell, diretors of Djinn and The Boy Behind the Door.    The film follows Natalie Flores, a pregnant realtor who is attacked by a...
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SXSW Film Festival 2025: The Rivals of Amziah King, Hallow Road, The Dutchman
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Three big swings from SXSW this year, including two standouts.
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