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‘Blue Heron’ Review: Sophy Romvari’s Aching, Multifaceted Ode to the Pull of Memory
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There’s a low-key warmth to Romvari’s painstaking portrait of quotidian family life. The post ‘Blue Heron’ Review: Sophy Romvari’s Aching, Multifaceted Ode to the Pull of Memory appeared first on Slant Magazine.
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Posterized September 2025: Happyend, The Baltimorons, Twinless & More
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There’s a bit of everything this month, from the new Paul Thomas Anderson to a final final chapter to Downton Abbey to Ed and Lorraine Warren’s last ride. Add a couple debuts straight from this week’s Toronto International Film Festival...
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50 Years Later, “Sholay” Remains a Captivating South Asian Epic
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On five decades of Ramesh Sippy's silly, earnest, action-packed Bollywood masterpiece.
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You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
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An interview with the writer-director team of the acclaimed dramedy.
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Telluride Film Festival 2025: The Bend in the River, Summer Tour, This is Not a Drill
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Maybe it’s because they have to compete against buzzier awards titles, but documentaries at Telluride Film Festival always feel like hidden gems. In this dispatch are two such films, both dealing with the end of an era. The third film...
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Realm of Satan Review: A Vivid Invitation into a World of Fantasies
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Note: This review was originally published as part of our 2024 Sundance coverage. Realm of Satan is now avaiable digitally. Made in collaboration with the Church of Satan, as stated in its opening titles, Scott Cumming’s Realm of Satan doesn’t...
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**pending**Trailer for THE BONE TEMPLE, the 28 YEAR LATER Sequel
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As teased in the final moments of 28 Years Later, The Bone Temple follows Jack O'Connell's droogy band of misfits in rage infused, quasi medieval post-virus Britain.  With a spoken word piece from Arthur C. Clarke overlaid on top of...
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Venice Review: Julian Schnabel’s In the Hand of Dante Crafts a Frenzied, Flimsy Adventure for Oscar Isaac and Martin Scorsese
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“There is no reason why a kid from a family of gangsters couldn’t be the reincarnation of Dante Alighieri,” reads Julian Schnabel’s director’s statement on his new film, In the Hand of Dante. Such boastful aplomb is indicative of the...
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‘Duse’ Review: Pietro Marcello’s Biopic Is a Trenchant Study of Art’s Role in a Fascist State
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For Marcello, the only responsible art in times of need is a responsive art. The post ‘Duse’ Review: Pietro Marcello’s Biopic Is a Trenchant Study of Art’s Role in a Fascist State appeared first on Slant Magazine.
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Now Streaming: Michael Chaves’ CONJURING Universe Horror
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Where to watch the director's earlier films. [Read the whole post on screenanarchy.com...]
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