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“It’s a fucking minefield, Alma,” the Dean of Humanities at Yale warns Julia Roberts’ Dr. Imhoff. Barely a few days have passed since her colleague, Hank (Andrew Garfield), has “crossed the line” with one of her students, Maggie (Ayo Edebiri),...

What opens Werner Herzog’s Ghost Elephants, even before we hear the German filmmaker’s distinctive cadence, is the National Geographic logo. While production credits are far from noteworthy in most cases, this one may stand out to the viewer by implying...

Traveling in a foreign land can be disorienting. Established routines lose their meaning. Unfamiliar sights, sounds, smells may trigger old memories or brand-new desires. Premiering in the Orizzonti sidebar of the 82nd Venice Film Festival, Catalan filmmaker Jaume Claret Muxart’s...

Six years since The Dead Don’t Die (long enough for that film to now be underrated), Jim Jarmusch is back with Father Mother Sister Brother, which finds him returning to the episodic structure of Night on Earth and Coffee and...