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Locarno 2025: Jackie Chan On Mastering Every Craft, Defying Imitation, and Staying Relevant for Six Decades
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Jackie Chan's Locarno talk offered a rare, practical breakdown of how creative control, cultural awareness, and long-term strategy can shape a sustainable career. [Read the whole post on screenanarchy.com...]
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Locarno 2025 Industry: Canada Opens Doors to Flexible Co-Production and Fresh Funding Pathways
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Canada used its spotlight at Locarno Pro to signal that international co-production is no longer an exception but a growing norm, backed by modernized treaties, robust financing, and globally competitive tax incentives. [Read the whole post on screenanarchy.com...]
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Interview: Alex Russell on ‘Lurker’ and Its Portrait of Fandom and Friendship
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Russell discusses how he updated The King of Comedy for today’s world of fans and stans. The post Interview: Alex Russell on ‘Lurker’ and Its Portrait of Fandom and Friendship appeared first on Slant Magazine.
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‘Dracula’ Review: Radu Jude’s Discordant Vampire Epic Takes on a Nation’s Taste for Mythmaking
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Jude’s inability to commit fully to any political or cultural perspective proves frustrating. The post ‘Dracula’ Review: Radu Jude’s Discordant Vampire Epic Takes on a Nation’s Taste for Mythmaking appeared first on Slant Magazine.
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Locarno Film Festival 2025: “Tabi to Hibi,” Hair, Paper, Water…,” “Yakushima’s Illusion”
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Memory is a funny thing. It can form and unwind us, ground and unmoor us. It can also trick us, probably because it’s so aligned with the fluidity of time. In this latest Locarno dispatch are three films that consider...
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SILENCE: An Introduction to Eduardo Casanova’s Debut Series Before Fantastic Fest U.S. Premiere
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Eduardo Casanova, the evocative director of a ScreenAnarchy favorite, La Piedad/La Pieta, has set out unto the World their new project, Silence.   Silence reimagines the vampire myth to explore queer identity, HIV stigma, and social silence, spanning the Black...
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COMPULSION Trailer Exclusive: The Final Project From Neil Marshall And Charlotte Kirk, an Erotic, Horror Thriller
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On the island of Malta, two women get engaged in a string of horrifying murders. [Read the whole post on screenanarchy.com...]
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Locarno Review: Radu Jude’s Dracula is an Unruly and Indulgent Satire
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Radu Jude is one of the great filmmakers of the decade. His latest, Dracula, is ostensibly a satire on Vlad The Impaler––the most famous Romanian of all, who appears throughout in all sort of guises––but its main target is AI...
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Locarno Review: The Plant from the Canaries is a Debut of Clarity, Wit, and Beauty
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Never underestimate the critical desire to cite Éric Rohmer––spend enough days at a film festival and you’ll start noticing illusions to the director’s work in your breakfast cereal. Still, I’m struggling to think of a recent film that’s done so...
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Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
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Gunn has doubled down on the small moments that made this series stand out, crafting a second season that almost feels like an entirely different show. 
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