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MotelX 2025: Lisbon Genre Fest Announces First Wave of TItles
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The nineteenth edition of MOTELX, the Lisbon-based genre film festival, is fast approaching - less than a month away, now. Where does the time go? The festival announced the first wave of titles for this year's festival last week or...
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ALIEN: EARTH Review: Your Next Epic Sci-fi Series Obsession is Here
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When Weyland-Yutani's deep space research vessel, the USCSS Maginot, crash-lands on Earth, on Prodigy Island, Wendy volunteers to go to the crash site and help. They make a fateful discovery that puts them face-to-face with the planet's greatest threat. [Read...
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Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
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“Butterfly” looks good and never stops moving, but it doesn’t make my heart flutter.
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Meet the Writers: Peyton Robinson
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An interview with one of our regular critics.
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‘Witchboard’ Review: Spirited Direction Almost Dispels the Curse of Insipid Material
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Chuck Russell is certainly committed to making an old-school, effects-laden genre thrill ride. The post ‘Witchboard’ Review: Spirited Direction Almost Dispels the Curse of Insipid Material appeared first on Slant Magazine.
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‘Went Up the Hill’ Review: Samuel Van Grinsven’s Transfixing, Sensorial Ghost Story
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The film recalls the themes of Rebecca and the temporal displacements of Alain Resnais’s work. The post ‘Went Up the Hill’ Review: Samuel Van Grinsven’s Transfixing, Sensorial Ghost Story appeared first on Slant Magazine.
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‘The Knife’ Review: Nnamdi Asomugha’s Thriller About the Slipperiness of Truth
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The overriding suspense here is largely created by watching truth become negotiable. The post ‘The Knife’ Review: Nnamdi Asomugha’s Thriller About the Slipperiness of Truth appeared first on Slant Magazine.
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‘White Snail’ Review: In Search of Romance in the Shadow of the Russia-Ukraine War
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The film is mostly memorable for its depiction of a city gradually hollowing itself out. The post ‘White Snail’ Review: In Search of Romance in the Shadow of the Russia-Ukraine War appeared first on Slant Magazine.
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Now Streaming Weekly: WEDNESDAY Returns, THE PICKUP Debuts
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Plus: 'King of the Hill' reigns in our weekly guide to new and noteworthy indie and international genre fare. [Read the whole post on screenanarchy.com...]
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Locarno Review: A Seance of Self and Film, Blue Heron is an Astonishing Debut
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In Nine Behind, one of Sophy Romvari’s earliest shorts, a young woman is heard sobbing on the phone to her estranged grandfather: “I want to know my family.” It’s a line that haunts all the films the director’s made since....
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