Despite there being a bunch of sequels (Nobody 2, The Bad Guys 2, Ne Zha 2, and Freakier Friday) and remakes or reboots (The Naked Gun, The Toxic Avenger, and Highest 2 Lowest) hitting theaters, I can’t say this month...
Resurrecting a franchise after an extended slumber is always a risky move, even more so with a series as beloved by horror fans as Final Destination. It’s been 14 years since the last installment, and in the intervening years cult of...
Minimal in design, but high in communication, Anell Samardzic's teaser design for indie horror The Rows, with only two colours (minus the textured matte-ing and the title card) and no shading gets a lot done in a prosaic fashion. At a...
When Yuli was a child, she watched in horror as her mom was possessed by an spiritual force before killing her father. Parentless, she was treated as an outsider, a bastard. Twenty years have passed, and she is now a...
In its original iteration, the Zucker brothers’ Naked Gun wasn’t just carried by Leslie Nielsen’s performance––nearly every aspect of the first two David Zucker-directed films was a reflection of it. As buffoonish detective lieutenant Frank Drebin, Nielsen’s scenery-chewing baritone encapsulated...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. 28 Years Later (Danny Boyle) Armed with a bevy of iPhones, 28 Years Later is definitely...
Simon West auteurism is not for the faint of heart. Unlike Joseph H. Lewis or Phil Karlsen, his compromised studio work has less of a moral component and much more to do with what he can get away with in...