Fantasia 2025 Review: THE WELL, In A World Where Water Is Scarce, A Young Girl Is Her Family’s Only Hope
In a not-too-distant future where clean water is scarce, a young woman’s journey to find a way to fix her family’s well leads her to a group of struggling survivors who would do anything to have what she has in...
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THE CONGREGATION: THE BRIDE OF CHRIST Review: Choosing Friends, A Cautionary Tale
The Swedish series dramatizes a cult leader's paralyzing hold on her community. [Read the whole post on screenanarchy.com...]
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V/H/S/HALLOWEEN: Shudder Announces Directors For Next Installment of Popular Anthology Series
Shudder has announced the lineup of directors for the next installment of the horror anthology series that simply will not die, V/H/S. This time they are coming after our favorite holiday, Halloween. They are, in order of announcement, Scottish...
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Karlovy Vary 2025 Review: SPLITSVILLE, (B)Rom-Com Gets a Manic Jolt to the System
Michael Angelo Covino directs and co-stars with Kyle Marvin, Adria Arjona, and Dakota Johnson in a marital comedy skewed through a bromedy (and vice versa). [Read the whole post on screenanarchy.com...]
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CLOUD Interview: Kiyoshi Kurosawa Talks Bresson, Open Endings, and the Ambiguity in Remaking
The legendary Japanese director talks cinephilia, America, and ambiguities. [Read the whole post on screenanarchy.com...]
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‘Diciannove’ Review: Giovanni Tortorici’s Lucid, Unpredictable Coming-of-Age Story
A spirit of restless reinvention characterizes Tortorici’s aesthetic approach. The post ‘Diciannove’ Review: Giovanni Tortorici’s Lucid, Unpredictable Coming-of-Age Story appeared first on Slant Magazine.
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THE FANTASTIC FOUR: FIRST STEPS Review: Marvel’s First Family Finally Gets The Big-Screen Treatment It Deserves
Only seven months after Russian cosmonaut Yuri Gagarin became the first human being to orbit the earth in 1961, transforming the Cold War between the United States and the Soviet Union from the Space Age into the Space Race (Destination:...
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Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
On three works of folklore and magical realism out of this year's fest.
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Fantasia Review: I Am Frankelda, Mexico’s First Stop-Motion Feature, Speaks Truth to Power
More than the similarly mythologized Monsters, Inc., the first stop-motion feature produced in Mexico (courtesy of the Cinema Fantasma studio) recalls an old childhood favorite from the ’80s: Little Monsters. Just like that Fred Savage vehicle, writers-directors Los Hermanos Ambriz...
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