admin

Apocalypse in the Tropics Review: An Exposé of Brazil’s Politically Active Religious Right
||
Note: This review was originally published as part of our 2024 NYFF coverage. Apocalypse in the Tropics is now in theaters and on Netflix. Five years, the closest presidential election in Brazilian history, and one insurrection after her last examination...
continue reading
‘Saint Clare’ Review: Mitzi Peirone’s Over-Directed and Indecisive Horror Thriller
||
Saint Clare’s split personality is apparent from the start. The post ‘Saint Clare’ Review: Mitzi Peirone’s Over-Directed and Indecisive Horror Thriller appeared first on Slant Magazine.
continue reading
‘Collective Monologue’ Review: Jessica Sarah Rinland’s Sensorial Look at Human-Animal Bonds
||
The film reveals—and urges on—a historical shift in how we relate to other living beings. The post ‘Collective Monologue’ Review: Jessica Sarah Rinland’s Sensorial Look at Human-Animal Bonds appeared first on Slant Magazine.
continue reading
BiFan 2025 Review: MANOK, Yang Mal-bok Shines in Charming Queer Indie Drama
||
Yang Mal-bok, who delivered one of the most powerful Korean indie film performances of recent memory in The Apartment with Two Women, is back in the indie realm with the rural-set queer drama Manok, the Korean Fantastic Audience Award winner...
continue reading
BiFan 2025 Review: SUN WUKONG, Dynamic Early Korean Animated Take on the Monkey King
||
Sun Wukong (aka 'The Monkey King'), the mischievous protagonist of the celebrated 16th-century Chinese novel Journey to the West, has been a familiar figure in Far East media for decades. While most of the cinematic adaptations of his exploits have...
continue reading
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
||
The actor talks about his long-standing relationship to Czech cinema and some of his most memorable characters and collaborations.
continue reading
‘Life After’ Review: Reid Davenport’s Powerfully Constructed Look at Right-to-Die Policy
||
Davenport is dead-set, so to speak, on putting the blame for a broken system where it belongs. The post ‘Life After’ Review: Reid Davenport’s Powerfully Constructed Look at Right-to-Die Policy appeared first on Slant Magazine.
continue reading
‘No Sleep Till’ Review: A Vibes-First Portrait of People Bracing for a Hurricane
||
Alexandra Simpson’s film fluctuates between dreamy ennui and slowly escalating dread. The post ‘No Sleep Till’ Review: A Vibes-First Portrait of People Bracing for a Hurricane appeared first on Slant Magazine.
continue reading
HOT SPRING SHARK ATTACK Interview: Director Morihito Inoue Talks Jaws, Bureaucracy, and Omnipotent Screen Sharks
||
We discuss a killer shark satire that's fun to soak in, [Read the whole post on screenanarchy.com...]
continue reading
Neuchâtel 2025: THE ICE TOWER Wins Best Feature Film, THE UGLY STEPSISTER Wins The Silver Méliès
||
The fine folks the Neuchâtel International Fantastic Film Festival wrapped up the twenty-fourth edition of their festival this weekend. With the conclusion of the festival comes the awards   Lucile Hadžihalilović's dark fantasy, The Ice Queen, won the jury prize for...
continue reading