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‘Oceans Are the Real Continents’ Review: A Poetic Look at Cubans Caught in Limbo
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With the film, Tommaso Santambrogio puts neorealism in the service of dream. The post ‘Oceans Are the Real Continents’ Review: A Poetic Look at Cubans Caught in Limbo appeared first on Slant Magazine.
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Busan 2024 Review: REVOLVER, Jeon Do-yeon Wants Her Money Back
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Revenge drives Jeon Do-yeon in the Korean thriller. [Read the whole post on screenanarchy.com...]
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Noah Wyle Anchors Intense, Effective Max Medical Drama “The Pitt”
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"The Pitt" is a smart show that values character detail and intricate medical science that sometimes succumbs to doses of melodrama that can be forgiven for everything that it does very well.
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Sound And Vision: Michael Gracey
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In the article series Sound and Vision we take a look at music videos from notable directors. This week: a trifecta of music videos by Michael Gracey. Michael Gracey started out as a special effects artist, before making it big...
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“It Was Worth the Hassle”: The Brutalist Editor Dávid Jancsó on Deliberate Pacing, Multiple Formats, and Crying at Venice
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With a sprawling 215 minutes and VistaVision footage, not to mention a variety of other formats––including 8mm, 16mm, Super 16mm, 35mm (two-perf, three–perf, four-perf, and eight-perf), Betacam, even an Arri Alexa shot––constructing Brady Corbet’s The Brutalist took editor Dávid Jancsó...
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Jared Mobarak’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Besides my annual trip to the Toronto International Film Festival—at which I mostly saw films that have...
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“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards
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The big winners of the first major awards of 2025.
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Beachside Mingling at a Poignant Spirit Awards Nominee Brunch
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A report from the Independent Spirit Awards Nominee Brunch.
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Interview: Pamela Anderson and Jamie Lee Curtis on ‘The Last Showgirl’ and the Pains of Rejection
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The actresses discuss how their experiences as actresses colored their roles. The post Interview: Pamela Anderson and Jamie Lee Curtis on ‘The Last Showgirl’ and the Pains of Rejection appeared first on Slant Magazine.
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Vincent Le Port’s ‘Hautefaye’ & Kornél Mundruczó’s ‘The Revolution According to Kamo’ Receive ARTE France Coin
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French filmmaker Vincent Le Port and Hungarian helmer Kornél Mundruczó are receiving some ARTE France Cinéma coin for future projets that are being readied for 2026 launches. After Bruno Reidal, Confessions of a Murderer (which our Nicholas Bell called “challenging...
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