Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
The director of the Netflix action sequel talks about the long wait between pictures and the importance of community for Black female filmmakers.
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CLOUD Trailer: Kiyoshi Kurosawa is Back with a Nail-Biting Tale of Greed & Revenge
They say the path to success means making a few enemies. Tokyo man Yoshii (Masaki Sude) learns that in one of the most chilling ways in writer-director Kiyoshi Kurosawa’s latest thriller, Cloud. Kurosawa, who thrilled cinephiles with nailbiters such as...
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VIDEOHEAVEN Review: Heaven Is a Video Store Near You
Alex Ross Perry's new film is a video-essay in the style of Thom Andersen's seminal Los Angeles Plays Itself, in that it focuses on a place and location, and explores this place solely through deep analysis of footage from films...
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70s Rewind: Clint Eastwood’s PLAY MISTY FOR ME
Inspired by Shawn Levy's new book, 'Clint: The Man and the Movies,' we take a look at Clint Eastwood's directorial debut, now streaming on Prime Video. [Read the whole post on screenanarchy.com...]
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JURASSIC WORLD REBIRTH Review: Great Dinosaur Fun, Recaptured
Scarlett Johansson, Mahershala Ali, Jonathan Bailey, and Rupert Friend star in director Gareth Edwards' monster thriller, scripted by David Koepp. [Read the whole post on screenanarchy.com...]
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Confessions of a Creature Feature Preacher Interview: MAN FINDS TAPE Writer/Directors Paul Gandersman and Peter S. Hall
The powers that be here at Screen Anarchy, after much arcane ritual, have agreed with me, your lowly unholy servant, that nothing could be more anarchic than a bi-monthly column from yours truly. I have emerged from my Creature Feature...
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Kill the Jockey | Review
They Kill Horse Riders, Don’t They?: Ortega Puzzles with Deadpan Metaphors Nothing is what it appears to be in Argentinean Luis Ortega’s latest film Kill the Jockey, a crime comedy drama which becomes an increasingly complex exercise regarding identity. The...
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Kiyoshi Kurosawa Is Back Online In U.S. Trailer for Cloud
What a pleasure it is to see Kiyoshi Kurosawa in his Hong Sangsoo period. The typically prolific filmmaker had an especially verdant 2024: his all-killer, no-filler Chime; Serpent’s Path, a plenty worthy remake of his major 1998 feature; and Cloud, which seems entrenched...
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SENTIMENTAL VALUE Trailer: Renate Reinsve is at Odds with Stellan Skarsgård in Joachim Trier’s Cannes Sensation
Four years after stunning the world with her Cannes-winning, breakout performance in The Worst Person in the World, Renate Reinsve and director Joachim Trier reunite for their newest collaboration, Sentimental Value. The film made waves at the Cannes Film Festival,...
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Videoheaven Review: Alex Ross Perry’s Whirlwind Tour Through the Golden Age of the Video Store
In Videoheaven, Blockbuster––to take after Thom Andersen––plays itself. Now deep in a pop-cultural-scholarship phase inaugurated by his last feature Pavements, Alex Ross Perry has made a generous, absorbing three-hour essay film-cum-documentary on nothing else but video-rental stores, those fabled and...
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