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2025 Cannes Critics’ Panel: Day 6 – Wes Anderson’s ‘The Phoenician Scheme’
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With three previous films in the Cannes competition beginning with Moonrise Kingdom (2012), followed by 2011’s The French Dispatch (read ★★ review) and 2023’s Asteroid City (read ★ review), Wes Anderson has a safe home in France. Production on The Phoenician...
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The Phoenician Scheme | 2025 Cannes Film Festival Review
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Much Ado About Fussing: Anderson Spills More Twee The Wes Anderson devotee cult has been searching for a way to justify his cinematic sainthood following an arguable trend of hollow triumphs, and it seems his latest endeavor, The Phoenician Scheme,...
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Cannes 2025: My Father’s Shadow, Enzo, Dalloway
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Our most recent dispatch covers films about various kinds of losses -- from family to self.
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Cannes 2025: The Chronology of Water, Urchin
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Two directorial debuts from A-list actors are explored in our latest Cannes dispatch.
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The Coen Brothers Will Reunite, When the Time is Right
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The Cannes Film Festival is underway, and Ethan Coen will have the distinction of capping off the year’s finest in cinema with a midnight premiere (this Friday) of his next solo-directing effort, Honey Don’t. Written with his partner Tricia Cooke,...
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Dogma 25 Movement Launches 30 Years After Lars von Trier and Thomas Vinterberg’s Dogme 95
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It’s now been 30 years since Lars von Trier and Thomas Vinterberg launched the Dogme 95 movement, featuring a set of stripped-down filmmaking rules to put power back in the hands of directors. While films such as Festen, The Idiots,...
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Cannes 2025: Die My Love, Pillion, Mirrors No. 3
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On three Cannes premieres, including films from Lynne Ramsay, Christian Petzold, and one of the best debuts in years.
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2025 Cannes Critics’ Panel: Day 6 – Kleber Mendonça Filho’s ‘The Secret Agent’
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A favorite filmmaker of the festival, and perhaps the best Brazilian filmmaker currently working, Kleber Mendonça Filho has been to Cannes on many occasions. He has been a fiour star tyope of filmmaker for us with Aquarius (read ★★★★ review)...
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Cannes Review: Lav Diaz’s Magellan is a Hypnotic, Unambiguous Exploration of the Horrors of Colonization
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Ferdinand Magellan was never regarded as a great man of history, and Lav Diaz’s surprisingly conventional––if still hypnotically paced––biopic uses genre structure to act as a further repudiation of his legacy. Born out of a long-in-the-works project focused on Magellan’s...
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Cannes Review: Lynne Ramsay’s Die My Love Strikes Rote Chords Despite Jennifer Lawrence’s Visceral Performance
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Near the climax of Lynne Ramsay’s You Were Never Really Here, two assassins––one well-dressed but dying, the other ragged but definitely alive––laid together on a kitchen floor, their hands lightly touching as Charlene’s “Never Been to Me” drifted in from...
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