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ANDOR: Disney Reveals a New Poster And Special Look at Season Two
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Disney+ released a new poster and a special look at the upcoming Star Wars series, Andor. The new poster is the familiar multiple character variety. Stormtroopers march through a wheatfield and Tie fighters fly overhead along the bottom of it....
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Berlinale 2025 Review: THE BLUE TRAIL Reimagines Aging in a Dystopian Future
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Gabriel Mascaro continues his exploration of hybrid storytelling with a dystopian fable that reimagines aging as an act of defiance. [Read the whole post on screenanarchy.com...]
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Rotterdam 2025 Interview: RAINS OVER BABEL Director Gala del Sol Talks Mythic Worldbuilding, Queer Programming, Personal Healing
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Gala del Sol, a visionary Spanish-Colombian debut director, talks fresh world building and personal healing. [Read the whole post on screenanarchy.com...]
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‘In the Lost Lands’ Review: Paul W.S. Anderson’s Arrestingly Trashy George R.R. Martin Adaptation
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The film provides Anderson with a sturdy canvas for his unique brand of gaudy, campy cool. The post ‘In the Lost Lands’ Review: Paul W.S. Anderson’s Arrestingly Trashy George R.R. Martin Adaptation appeared first on Slant Magazine.
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In the Lost Lands Review: Paul W.S. Anderson Finds Poetry In the Fantasy Epic
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Before jumping directly into the action, Paul W.S. Anderson’s In the Lost Lands opens with a framing device we’ll return to only at film’s end. The George R. R. Martin adaptation otherwise gives no context whatsoever, and when the plot...
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New Directors/New Films Unveils 2025 Lineup
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After showcasing work from the likes of Ryûsuke Hamaguchi, Hou Hsiao-hsien, Kelly Reichardt, Pedro Almodóvar, Souleymane Cissé, Jia Zhangke, Spike Lee, Lynne Ramsay, Michael Haneke, Wong Kar-wai, Agnieszka Holland, Denis Villeneuve, Luca Guadagnino, and more, New Directors/New Films is back...
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ON BECOMING A GUINEA FOWL Review: Silence Cannot Be Endured
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It's hard to imagine what any of us would do, if we were driving along a quite road and came across a dead body, let alone the body of a member of our family. For Shula (Susan Chardy), on her...
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Matías Piñeiro on You Burn Me, Departing Shakespeare, and Hong Sangsoo’s Constant Reinvention
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“Focus the text” commands a translation app pop-up at the mid-point of Matías Piñeiro’s new experimental essay film You Burn Me. It’s a mantra that the Argentinian filmmaker has taken to heart. Using Sea Foam, a chapter from Cesare Pavese’s...
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Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
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An interview with the director of the Elizabeth Olsen-led sci-fi drama.
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Looking Back: Highlighting Some Great Pieces by Our Female Critics
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Some great reviews and articles by our female critics.
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