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CRYSTAL LAKE Review: Prequel Series is a Slow-Burn Crime Drama That Doesn’t Skimp on Slasher Violence
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One year after her young son's tragic drowning, a grieving single mother's dark past is unearthed by two strangers, triggering a disturbing chain of events that reveals the terrifying origins of a horror legend. [Read the whole post on screenanarchy.com...]
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The 2026 Critics Choice Documentary Award (CCDA) Nominations
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The Critics Choice Association (CCA) has announced the nominees for the 11thannual Critics Choice Documentary Awards (CCDA). The winners will be revealed at a gala event on Sunday, November 8, 2026 at The Edison Ballroom in Manhattan. Award-winning television host and...
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Ranking The Strength Of The Best Picture Oscar Contenders After The 2026 Fall Film Festivals
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Except for major longshots like “The Further Mis-Adventures of Cliff Booth,” “Werwulf” and “The Mosquito Bowl,” every potential Best Picture candidate aside from “Dune: Part Three” has now been seen and rated in some shape or form. So since we...
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There is Always a Different Story to Discover: Lucas Museum of Narrative Art Curator Ryan Linkof
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An interview with the curator of the new Lucas Museum of Art.
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You Can See Everything Review: Nathan Fielder and Lance Oppenheim’s Extraordinary, Troubling Documentary Evokes the Spirit of Kiarostami
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“What requires attention in cinema are the traces of these palpable things ingrained on the cinematic surface.” — Shiguéhiko Hasumi, Directed by Yasujirō Ozu “That everyone in the world, including myself, is totally nuts.” — Nathan Fielder in a 2014...
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“Castlevania: Belmont’s Curse” Whips Landmark Franchise Back into Shape
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“Castlevania: Belmont’s Curse” should totally satisfy both hardcore fans of this series and those who have never picked up a Vampire Killer.
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NYFF 2026: “Artificial” and Closing Thoughts
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Closing thoughts on this year' NYFF, including a review of one of its best films.
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Sense and Sensibility Review: Georgia Oakley Brings Keen Eye to Jane Austen Adaptation
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It’s always tempting to discuss Jane Austen adaptations in comparison with their predecessors, especially when the most famous example here is Ang Lee’s version that earned Emma Thompson her second Oscar. Georgia Oakley recognizes this; rather than trying to reinvent...
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BFI London Review: Wildwood Presents Magic and Terror on a Breathtaking Scale
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Because of Coraline, LAIKA’s first effort as a studio and still its best-known, there’s an expectation that each subsequent project will fit comfortably within the horror realm, each new release a rite of passage for thousands of kids previously unaware...
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