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SXSW Review: The Threesome is an Ambitious, Flawed Rom-Com From Chad Hartigan
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A big swing and nearly a miss, Chad Hartigan’s The Threesome is not without its charms even as it can overstay its welcome. A rom-com that offers a more serious tone for characters either in a state of arrested development...
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SXSW Review: Rodney Ascher’s Ghost Boy is a Moving, Philosophical Documentary About Being Trapped
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Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, at times, the same perspective of his last feature A Glitch in the Matrix: locked in an...
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Sound And Vision: The Big Joseph Kahn Interview, Part One
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Joseph Kahn is one of the big music video directors of the nineties and early two thousands. He was present with his new monster movie Ick at the Film Festival of Rotterdam. ScreenAnarchists Ard Vijn and Theodoor Steen had the...
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Sex Work in 1970s Japan Gets the Spotlight in Exclusive Trailer for Noboru Tanaka’s Newly Restored The Oldest Profession
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After Sean Baker’s sex work dramedy Anora won top honors at the Oscars last week, a Japanese landmark feature from Roman Porno master director Noboru Tanaka exploring the profession has been restored and is getting a U.S. release. The Oldest...
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7 Films to See at MoMI’s First Look 2025
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A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image’s First Look festival returns this week, taking place March 12-16.  As always, the festival brings together...
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The Unloved, Part 134: A Dandy in Aspic
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Celebrating Anthony Mann's final film, a spy caper reflecting its own creator's demise.
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“Split Fiction” Has Compelling Gameplay Held Back By Pacing Issues
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A video game review of the new co-op game from Hazelight and EA.
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SXSW 2025 Review: MIX TAPE, Love, Music, and the Gulf Between Them
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Jim Sturgess and Teresa Palmer star in the music-themed romantic-drama series. [Read the whole post on screenanarchy.com...]
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‘Death of a Unicorn’ Review: Alex Scharfman’s Horror Comedy Sticks It to Big Pharma
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The film suggests Rules of the Game cross-bred with a Spielberg creature feature. The post ‘Death of a Unicorn’ Review: Alex Scharfman’s Horror Comedy Sticks It to Big Pharma appeared first on Slant Magazine.
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Léa Seydoux, Elle Fanning, and Luca Marinelli Lead New Trailer for Hideo Kojima’s Death Stranding 2: On the Beach
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While this is, admittedly, Not A Movie, Hideo Kojima has perhaps come closest to bridging the video game-cinema divide, either through decades of indispensable work or the recent assistance of A24. It helps collecting onscreen talent that would make any...
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