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Rotterdam 2025: What The Audiences Liked Best

by admin|2 years ago02 March 2025|Screen Anarchy

Three weeks ago, Rotterdam wrapped up its International Film Festival, and a few days after that they published the final results of their audience ratings, which is always a highlight for me. As the saying goes, everybody is a critic,...

True/False 2025: WTO/99, Family Album, Land With No Rider

by admin|2 years ago01 March 2025|Roger Ebert

Our second dispatch of the documentary film festival tackles public protest, trans stories, and life on the frontier.

‘The Surfer’ Review: Nicolas Cage Rages Against Australian Bros in Psychedelic Thriller

by admin|2 years ago01 March 2025|Slant Magazine

Visually, the film conjures the same sense of dreamy disorientation of Coralie Fargeat’s work. The post ‘The Surfer’ Review: Nicolas Cage Rages Against Australian Bros in Psychedelic Thriller appeared first on Slant Magazine.

Oscar 2025 Winner Predictions: Picture

by admin|2 years ago01 March 2025|Slant Magazine

Can you blame us for indulging in “humanities major, sociology minor” thought exercises? The post Oscar 2025 Winner Predictions: Picture appeared first on Slant Magazine.

Tilda Swinton’s Underseen Erotic Drama Female Perversions Gets New Life in Restoration Trailer

by admin|2 years ago28 February 2025|The Film Stage

After getting her start in collaborations with Derek Jarman, Sally Potter, and Joanna Hogg––and before she would breakthrough in films by Danny Boyle, Cameron Crowe, Spike Jonze, Jim Jarmusch, and more––Tilda Swinton made her U.S. debut with an erotic drama...

New Restoration Trailer for Luis Buñuel’s Él Charts a Tale of Obsession

by admin|2 years ago28 February 2025|The Film Stage

One of the pleasures of the Museum of Modern Art’s Luis Buñuel retrospective last year was my first-time viewing of Él, a wonderfully entertaining tale of obsession and a clear influence on Alfred Hitchcock for Vertigo. Janus Films will now...

Friday One Sheet: TODO LO QUE NO SÉ

by admin|2 years ago28 February 2025|Screen Anarchy

Typography so interesting that the lead character cannot help but stare at it. The warm, creamy key art for Ana Lambarri's Todo lo que no sé (translation: Everything I Don't Know) is from Spanish designer Octavio Terol Bernabé. It checks a lot of...

‘There’s Still Tomorrow’ Review: Paola Cortellesi’s Winning Black-and-White Feminist Parable

by admin|2 years ago28 February 2025|Slant Magazine

The sense of hope in There’s Still Tomorrow feels measured and pragmatic. The post ‘There’s Still Tomorrow’ Review: Paola Cortellesi’s Winning Black-and-White Feminist Parable appeared first on Slant Magazine.

NYC Weekend Watch: Three from Fassbinder, Saint Jack & More

by admin|2 years ago28 February 2025|The Film Stage

NYC Weekend Watch is our weekly round-up of repertory offerings. Anthology Film ArchivesA Volker Spengler retrospective brings three films by Fassbinder; films by Ozu and Pudovkin play in Essential Cinema. Museum of the Moving ImageSnubbed Forever continues with films by Bogdanovich and...