Ioncinema

Interview: Philippe Lesage – Comme le feu (Who By Fire)
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The adults in the room may be battling for dominance, but in the end, it’s the one who considers the long-term consequences and deeper implications who truly claims the last word. Comme le feu (aka Who by Fire) delves into...
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Nosferatu (2024) | Review
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Basic Instincts: Eggers Taps Into the Bloodlust with Vampy Remake It would seem there’s no one more fitting than Robert Eggers to mount a remake of Nosferatu, the Bram Stoker inspired bloodsucker who first made his appearance in F.W. Murnau’s...
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Vermiglio | Review
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Baby Machines: Delpero Designs Tapestry of Women’s Miseries During WWII Italy Despite the associations suggested by its title, Maura Delpero’s sophomore film Vermiglio is a rather cold, calculating, rigid portrait of an isolated mountain village in Italy at the tail...
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One Question: Gints Zilbalodis – Flow
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In Gints Zilbalodis‘ Cannes Un Certain Regard selected animated film Flow, a diverse group of animals bands together to navigate a post-apocalyptic on….a boat. We have a house cat, a Labrador retriever, a capybara, a lemur and an errant bird...
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One Question: Adrien Brody & Guy Pearce – The Brutalist
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While liberty and independence are related concepts, they differ in key ways: liberty is about being free from oppressive restrictions, while independence focuses on self-reliance and autonomy. The dynamics between an immigrant and their new homeland, as well as the...
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The Brutalist | Review
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The Safety of Objectivism: Corbet Unleashes the Survival Instinct of Rational Egoism “The hardest thing to explain is the glaringly evident which everybody has decided not to see,” so says the heroic protagonist of Ayn Rand’s sensational 1943 novel The...
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One Question: Felicity Jones – The Brutalist
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In Brady Corbet‘s The Brutalist, László Tóth (Adrien Brody) strives to rebuild his life, but fragments of his past continue to haunt him. However, it’s his resilient wife, Erzsébet, who truly embodies determination and strength. Confined to a wheelchair, Erzsébet...
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The Room Next Door | Review
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Triumph of the Will: Almodovar’s Muy Excelente English Debut “Women and fiction remain, so far as I am concerned, unsolved problems,” wrote Virginia Woolf in her seminal essay A Room of One’s Own, published in 1929. She’s a notable reference...
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2025 Oscars: Sundance’s Daughters, Porcelain War, Sugarcane & Berlinale’s Dahomey & No Other Land in Docu Mix
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Documentary film items from this past Sundance in Black Box Diaries, Daughters, Frida, Porcelain War, The Remarkable Life of Ibelin, Soundtrack to a Coup d’Etat, Sugarcane, Union and Will & Harper alongside Dahomey (also nominated in Best International Feature category)...
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2025 Oscars: ‘A Crab in the Pool,’ ‘The Man Who Could Not Remain Silent,’ and ‘The Masterpiece’ Shortlisted
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Among the hundreds of short films in contention in the three categories of Animation, Live Action and Documentary we find some of our favorites in Alexandra Myotte & Jean-Sébastien Hamel‘s animated A Crab in the Pool, live-action items in Sundance...
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