Ioncinema

L’amour Ouf (Beating Hearts) | 2024 Cannes Film Festival Review
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Thief of Hearts: Lellouche’s Sprawling Romance Has Arrhythmia A common occurrence for actors moonlighting as directors is not knowing how to hone a focus, crafting a narrative around the performers, often to the detriment of the film itself. Such is...
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Karim Aïnouz’s Motel Destino – 2024 Cannes Critics’ Panel: Day 9
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One of the favorited Brazilian filmmakers of the Cannes film festival with Madame Satã (2002), O Céu de Suely (2006), and winner A Vida Invisível de Eurídice Gusmão having all premiered at the fest’s Un Certain Regard section. Adding Special...
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Motel Destino | 2024 Cannes Film Festival Review
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Destiny Indemnity: Ainouz Retrofits a Noir Classic “Love, when you get fear in it, it’s not love any more, it’s hate,” wrote James M. Cain in his indelible, eternal noir 1934 novel The Postman Always Rings Twice. Director Karim Aïnouz...
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Miguel Gomes’ Grand Tour – 2024 Cannes Critics’ Panel: Day 9
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I still recall when Miguel Gomes took over the Directors’ Fortnight section with not one, but three films for the The Arabian Nights trilogy (Volume 1: The Restless One, Volume 2: The Desolate One and Volume 3: The Enchanted One) in...
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Grand Tour | 2024 Cannes Film Festival Review
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Runaway Groom: Gomes Charts a Barren Odyssey In what serves as an extremely taxing personification of cold feet, Miguel Gomes feels as if he’s going through stylistic motions with his latest feature, Grand Tour. A surprise project considering his long...
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Parthenope | 2024 Cannes Film Festival Review
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The Boring & Beautiful: Sorrentino’s Tone Deaf Portrait of a Lady It’s unfortunate no one’s as likely to be infatuated with the eponymous Parthenope (pronounced like ‘Penelope’) as Paolo Sorrentino, utilizing the myth of the failed siren as subtext for...
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Paolo Sorrentino’s Parthenope – 2024 Cannes Critics’ Panel: Day 8
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If he has the option between the Croisette or the Lido, Paolo Sorrentino is going to… France. His Cannes journey began with 2004’s The Consequences of Love, followed by 2006’s Friend of the Family, his masterwork Il Divo, his misstep...
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Christophe Honoré’s Marcello Mio – 2024 Cannes Critics’ Panel: Day 8
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Having sprinkled his films in the competition section twice before with Les chansons d’amour (2007) and Sorry Angel (2018), Christophe Honoré has also populated the fest with Un Certain Regard, Out of Comp and Directors’ Fortnight offerings. With Marcello Mio,...
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Sean Baker’s Anora – 2024 Cannes Critics’ Panel: Day 8
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Returning to the official competition for a second time, this is American indie filmmaker Sean Baker‘s third consecutive trip to Cannes after The Florida Project premiering in the Directors’ Fortnight in 2017 and Red Rocket (read our ★★★★ review) premiering...
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Animale | 2024 Cannes Film Festival Review
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Toro Toro Toro: Amamra Grabs the Bull By the Horns in Transformative Role For those who champion the bull in Spain’s electrifying yet antiquated tradition of the running of the bulls, there’s a fresh perspective awaiting in a genre-blending narrative...
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