Ioncinema

2025 Oscars: Sundance’s Daughters, Porcelain War, Sugarcane & Berlinale’s Dahomey & No Other Land in Docu Mix
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Documentary film items from this past Sundance in Black Box Diaries, Daughters, Frida, Porcelain War, The Remarkable Life of Ibelin, Soundtrack to a Coup d’Etat, Sugarcane, Union and Will & Harper alongside Dahomey (also nominated in Best International Feature category)...
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2025 Oscars: ‘A Crab in the Pool,’ ‘The Man Who Could Not Remain Silent,’ and ‘The Masterpiece’ Shortlisted
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Among the hundreds of short films in contention in the three categories of Animation, Live Action and Documentary we find some of our favorites in Alexandra Myotte & Jean-Sébastien Hamel‘s animated A Crab in the Pool, live-action items in Sundance...
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2025 Oscars: ‘Universal Language’, ‘From Ground Zero’ & ‘Touch’ Join Heavy Favorites on Shortlist
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As is the case every year out, films that had a legit chance of joining the shortlist pack of fifteen in Austria’s The Devil’s Bath, Belgium’s Julie Keeps Quiet, Mexico’s Sujo, Poland’s Under the Volcano and Portugal’s Grand Tour will...
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Babygirl | Review
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Fuck Like No One’s Watching: Reijn Delivers Prudent & Provocative Sexual Odyssey “There is to my mind no doubt that the concept of beautiful had its roots in sexual excitation and that its original meaning was sexually stimulating,” wrote Sigmund...
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2025 Sundance: Jianjie Lin, Jorge Thielen Armand & Robert Machoian/Rodrigo Ojeda-Beck Among Selected Shorts
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57 films selected from a whopping 11,153 submissions (4,909 U.S. submissions and 6,244 international) packed into eight curated Short Film Programs. Among the more notable folks we find Venezuelan Canadian-based filmmaker Jorge Thielen Armand of La Soledad (Venice’s Biennale College...
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Interview: Andrew Garfield – 2024 Red Sea International Film Festival
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The perfect relationship gets put to the ultimate test in We Live In Time, the latest feature from Brooklyn director John Crowley. Told across three, non-linear timelines, the story follows Tobias (Andrew Garfield) and Almut (Florence Pugh) who find their...
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Interview: Denise Fernandes – Hanami (Red Sea Intl. Film Festival)
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Threading the line between magical realism and potent coming-of-age drama, Denise Fernandes‘ Hanami is an ambitious debut feature. Filming on location in Cape Verde, the picture is unsurprisingly visually impressive as it weaves the story of Nana and her mother...
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Nickel Boys | Review
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No Country for Black Men: Ross Reforms the Cinema with Distinctive Adaptation In many ways, Nickel Boys, the narrative debut from director RaMell Ross, feels like an exemplification of ‘it was the best of times, it was the worst of...
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Interview: Xiaoxuan Jiang – To Kill a Mongolian Horse (Red Sea Intl. Film Festival)
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Across the Mongolian steppe, a herdsman confronts climate change, the slow encroachment of gentrification, and a fading way of life in To Kill A Mongolian Horse. Xiaoxuan Jiang‘s debut feature weaves an intimate story around Saina, a non-actor and professional...
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Kraven the Hunter | 2024 Red Sea Intl. Film Festival Review
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Snack Attack: Kraven The Hunter Is More Empty Calorie Superhero Slop The existential fear among creatives is that one day, artificial intelligence will become so good that a data-generated movie would be indistinguishable from the real thing. Sadly, that day...
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