Ioncinema

Death Be Not Shroud: Cronenberg Hits Dead Ends in Sluggish Mystery The burial business serves as the battle ground for a complicated conundrum in David Cronenberg’s latest, The Shrouds, a glum examination marrying death and technology. Once again, Cronenberg’s central...

Noon Gloom: Elkoussy Mounts Shadowy, Allegorical Fantasy An industrial wasteland outside of a specific time or place provides the backdrop for Hala Elkoussy’s ingenious, but somewhat languid sophomore film East of Noon (Sharq 12). The film’s relationship to music and its...

The Sway of the Sword: Reality Bytes in Poggi/Vinel’s Bleak Online/Offline Portrait Caroline Poggi and Jonathan Vinel‘s sophomore feature outing pulses with the heartbeat of survival, where a side passion becomes a lifeline and a main, risky hustle can be...

Wild at Heart: Serebrennikov Oversimplifies Odyssey of Soviet Dissident If one were to dilute a Molotov cocktail enough to make its destructive capabilities null and void, it would be the equivalent of Kirill Serbrennikov’s Limonov: The Ballad, an ersatz biopic...

Kiss Me or Kill Me: Guiraudie Stirs a Sinister Solace in the Backwoods Alain Guiraudie returns to the ruinous climes of rural malcontentedness with his latest, Miséricorde, which means ‘mercy.’ Of course, the meaning of mercy takes on ironic dimensions...

The Devil and Donald Trump: Abbasi Reconstructs the Rise of a Crony Capitalist Among the many wise observations written by nineteenth century Englishman Lord Acton, he noted “Great men are almost always bad men…” But what if they were just...

Will You Be My Ride or Die?: Chevrollier Ramps Up the Chaos in Portrait of Sons & Missing Fathers Exploring themes of rebellion, shame, and unresolved anguish, La Pampa (aka Block Pass) delves into the profound challenges of articulating inner...

Breaking Up is Hard To Do: Trueba Reinvents Couple Goals Gloriously reminding us that we are doomed to repeat the same existential mundane experiences, in an amuse bouche format with winks to Danish philosopher Sören Kierkegaard and relationship woe cinema...

Diamonds Are Not Forever: Lund Looks Beyond America’s Favorite Pastime Even with a full count of three balls and two strikes, it may seem like the stakes are low, but the never-mentioned patriarchal foundations are rife with uncertainty in filmmaker...

Many were left scratching their heads when Cannes topper Thierry Frémaux made The Substance a part of the competition (and conversation) and the reason being that while the midnight films are a welcome inclusion in the overall line-up of the...