Roger Ebert

Venice Film Festival 2026: Ink, Moragheb, Too Much Sugar
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On three Venice premieres, including the latest from Danny Boyle and Robert Greene.
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The Places Underneath Words: Cassandra Wilson (1955-2026)
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A tribute to the legendary jazz singer.
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It’s Time to Grow Up: Joe Swanberg and Cory Michael Smith on “The Sun Never Sets”
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An interview with the Chicago-based director and co-star of his latest film.
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Visible and Powerful: Gloria Steinem (1934-2026)
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A tribute to a pioneer.
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Season Two of Netflix’s “The Gentlemen” Finally Finds Its Footing 
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The series has become the sleek, gripping story promised in the show’s initial announcement.
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Peacock’s “The Paper” Starts To Run Out Of Ink In Season 2
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Breezy but uneven, pleasant but rarely memorable, clever but sometimes contrived.
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“Chad Powers” Remains a Ludicrous, Warm-Hearted Show in Season 2
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No, it doesn’t make any sense. But rehabilitating a selfish failure who’s finally ready to change feels so good.
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Female Filmmakers in Focus: Poh Si Teng on “American Doctor”
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An interview with the director of the harrowing documentary about doctors working to save lives in Gaza.
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FX’s Exhilarating “The Drop: A Snowfall Saga” Is a Spin-off For the Ages
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A singular experience, showcasing the intricacies of music, community, and survival in a time of upheaval. 
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The Unloved, Part 153: This Is My Life
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This month we celebrate one of Nora Ephron's most underappreciated comedies.
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