Roger Ebert

You’ll Never Find Me
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"I'm afraid you knocked on the wrong door." When Paul (Brendan Rock) says those words to the nameless woman who shows up at the door of his isolated trailer in the middle of a stormy night, the wordless uneasiness, already...
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BET+’s Diarra from Detroit Successfully Blends Comedy & Mystery
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“Minding your own business is a full-time motherf*cking job, and everybody needs to stay employed!” Though this emphatic declaration bookends the new BET+ series “Diarra from Detroit,” which stars writer/creator/actress Diarra Kilpatrick, very few of its characters pay it any...
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Art Takes You Prisoner: Radu Jude on Do Not Expect Too Much from the End of the World
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With a title inspired by an aphorism from Polish writer Stanislaw Jerzy Lec, Romanian writer-director Radu Jude's latest dark comedy "Do Not Expect Too Much from the End of the World" takes a sharp satirical swipe at the bleak realities...
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No Matter How Big He Gets, David Dastmalchian Still Wants to Scare You
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In the unnerving new horror film “Late Night With the Devil,” a 1970s talk-show host named Jack Delroy is having a terrible evening. It’s Halloween, and he’s doing a live broadcast on the year’s spookiest night. His guests including a...
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SXSW 2024: Diane Warren: Relentless, Thank You Goodnight: The Bon Jovi Story, Omar and Cedric: If This Ever Gets Weird, Preconceived
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“Diane Warren: Relentless” is a rare documentary on an influential musician that doesn’t feel as if it’s either been interfered with by the parties that hold the music rights or self-censored into mush by the filmmakers for fear of alienating the...
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Ghostbusters: Frozen Empire
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Like Slimer shoving snacks in his ravenous maw, “Ghostbusters: Frozen Empire” tries to cram way too many characters, storylines and iconic images into its two-hour runtime.  Director Gil Kenan’s film does a vaguely better job of balancing the old and the new than its predecessor, “Ghostbusters: Afterlife.” It finesses the...
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Disney+ Returns to the Classic World of X-Men ’97
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When Disney purchased Fox in 2019, one of the first questions was how soon the X-Men would be joining the Marvel Cinematic Universe. Imagine characters like Wolverine and Professor Xavier crossing over with Deadpool and Doctor Strange. Superhero fandom saw...
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True To Yourself: James Gray on James Gray’s New York
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A modern American master, James Gray makes richly textured, near-operatically expressive melodramas that swirl together history and myth in the realm of the personal.  The roots of his uniquely classical style of filmmaking—at once exquisitely controlled and emotionally intense—reach back...
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SXSW 2024: Songs from the Hole, The Black Sea, Adrianne & The Castle
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SXSW has long been the fun cousin to the Sundance Film Festival–a music and tech fest all rolled into one, set in the sun-soaked climes of Austin, TX in the springtime, rather than the stifling cold and thin air of...
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SXSW 2024: Sing Sing, Bob Trevino Likes It, Hood Witch
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“Sing Sing” is perfectly timed. Social media users are normalizing ignorance and incuriosity for clout, and characterizing anyone who is interested in art that they don’t already know they like as “pretentious” or “only pretending” to like it, essentially trying...
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