Roger Ebert

Netflix’s “Jo Nesbø’s Detective Hole” Feels A Bit Overstuffed
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It’s still an effectively grisly and beautifully mounted effort, with superb performances from the ensemble cast.
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Ebertfest Announces Expanded Lineup, Special Guests, and Final Festival Programming for “The Last Dance” Edition
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The final films for Ebertfest2026 include Chili Finger, Bob Trevino Likes It, Get Out, and more.
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SXSW 2025: Crash Land, The Fox, Love Language
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On three films emblematic of the prototypical SXSW film, for all the good and ill that entails.
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“Daredevil: Born Again” Stays Blind to the Cultural Moment in Season 2
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Its restrictive character writing and dull, self-contained storytelling result in a middling, slow-building season.
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SXSW 2026: Crash Land, The Fox, Love Language
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On three films emblematic of the prototypical SXSW film, for all the good and ill that entails.
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SXSW 2025: baby/girls, Manhood, Drift
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On three docs tackling everything from young mothers to tall buildings to male insecurity from this year's fest.
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SXSW 2026: baby/girls, Manhood, Drift
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On three docs tackling everything from young mothers to tall buildings to male insecurity from this year's fest.
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Inaugural FECK Awards to Honor Extraordinary Changemakers in Chicago on April 4th at the Ritz Carlton
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I am thrilled to announce that the Inaugural edition of The FECK Awards will be celebrating amazing individuals and/or organizations in Chicago on Saturday, April 4th, who truly embody the principles detailed in my book, It’s Time to Give a FECK:...
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SXSW 2025: Beast Race (Corrida Dos Bichos), Campeón Gabacho, Grind
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On three wacky rides through late-stage capitalism from this year's festival.
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SXSW 2026: Brian, Basic, Seekers of Infinite Love
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A final dispatch on three comedies from SXSW, two of which are worth putting on your watchlist.
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