Roger Ebert

A Special Kind of Beauty: Viggo Mortenson on The Dead Don’t Hurt
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Set on the western U.S. frontier during the 1860s, “The Dead Don’t Hurt” follows the relationship that develops between independent French-Canadian woman Vivienne Le Coudy (Vicky Krieps) and Danish immigrant Holgen Olsen (Viggo Mortensen). The two meet in San Francisco,...
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Cannes 2024: Normal Normal or Cannes Normal?
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I’m back after 15 days in Cannes--still jetlagged, my mind still spinning from the dozens and dozens of films I screened. The sense of familiarity of wandering the streets between my apartment and the Palais, running into the shopkeepers, restauranteurs,...
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Cannes Video #8: Critics Roundtable
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The Cannes Film Festival is underway, and Chaz Ebert is on the ground to report on every development. In this video, critics Jason Gorber, Ben Kenigsberg, Lisa Nesselson, and Isaac Feldberg talk about their findings on the festival's offerings. Watch the video below.
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Neon’s Five Palme d’Or Winners, Ranked
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It wasn’t that long ago that the Palme d’Or didn’t mean much to the average moviegoer. Sure, it’s the top prize at the world’s most prestigious film festival, but the Cannes award didn’t necessarily translate into major box office—or even...
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The 58th Karlovy Vary International Film Festival Unveils Its Official Selection
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The Cannes Film Festival has just ended, and June is nearing its beginning. That means Karlovy Vary International Film Festival’s highest prize—the Crystal Globe—is glittering more than ever. Having attended the festival for the last two years (I will be covering...
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Saved! at 20: Religious Satire and the Millennial Generation
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When “Saved!” came out in 2004, it reflected a reality for teenagers growing up in an America very much at a crossroads. Although the level of polarization in 2004 might seem quaint by today’s standards, it was the beginning of...
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Eric
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It takes either a staggering lead performance or a great plot twist to truly prove that there’s something special to a new miniseries. Netflix’s “Eric” is thankfully one that has both of these aspects tethered to it, for better and...
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Killer Klowns from Outer Space Is a Total Blast
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Clowns don’t tend to scare me, and certainly not the ones in “Killer Klowns from Outer Space,” the new video game adapted from the 1988 film of the same name. But I suspect that’s sort of the point; the latest...
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Cannes 2024: It’s Not Me, Filmlovers!, Misericordia
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In his freely associative, furiously introspective “C’est Pas Moi” (“It’s Not Me”), which played in the Cannes Première sidebar, Leos Carax pays homage to the late Jean-Luc Godard, along with an assemblage of other influences, through a rapid-fire cinematic “self-portrait”...
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The World’s Biggest Jewelry Box: Kristen Joseff on Hollywood’s Favorite Jeweler, Joseff of Hollywood
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The family-owned jewelry firm Joseff of Hollywood has been providing sparkle and glamor to the movies for almost a century. At the opening reception of the Hollywood Museum exhibit showcasing some of Joseff’s treasures, Leonard Maltin paid tribute. In an email, he...
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