Roger Ebert

“La Chimera” plays like a magical realism version of the classic one-last-heist movie.   The core of it ultimately may reveal itself to be somewhat familiar: Newly released from prison for his crimes, a thief returns home to pull off the big job that will finally make him and his friends rich. But through the dreamlike...

After the one-two gut punch of garbage filmmaking that was “Blacklight” and “Memory,” I had just about given up on Liam Neeson, an actor of undeniable quality who seemed to have stopped actually reading scripts all the way through before...

10 NEW TO NETFLIX "The Accountant""Alone""The Autopsy of Jane Doe""Bodies Bodies Bodies""Four Daughters""Godzilla""Pineapple Express""Step Brothers""To Kill a Tiger""Wanderlust" 15 NEW TO BLU-RAY/DVD "The Abyss" James Cameron's 1989 blockbuster has been one of the hardest films to find on physical media...

Editor’s note: Earlier this month, the 2023-24 University of Illinois College of Media Roger Ebert Fellows attended the True/False Film Festival in Columbia, MO. It’s an ideal first festival for any moviegoer, its documentary focus allowing for a wide range...

For some of us, Opening Day in Major League Baseball is a sacred thing—the unofficial start of spring, the launch of another season of the world’s greatest sport, that special time each year when we still believe that our crummy...

EMBARGO, 3/28 11AM Every one of the recent English language kaiju epics from Legendary Pictures has walked a different path, and “Godzilla x Kong: The New Empire” continues the tradition. This one is a direct sequel to 2021’s “Godzilla vs. Kong,”...

It's such a pleasure watching the greats continue to be great over the course of a long and productive life. It's also a source of comfort, because I'm no longer a young man, and I worry about whether I'll still...

There is something instantly kinetic about seeing Giancarlo Esposito in a crime drama. He often plays people of great stillness, and yet there's motion behind his eyes. You can see him thinking and feeling. Yes, of course, this on-screen persona is related...

There’s nothing worse than watching a bio-doc about a revolutionary, unique, creative voice that reduces the life story of its subject to the basic beats, using standard techniques instead of embracing that which made this person's story worth telling in...

Over Zoom, David Krumholtz flashes a friendly, bashful smile, his demeanor several shades warmer than the character he plays in the movie he’s here to promote. Named after the depressive malcontent at its center, “Lousy Carter” is a wry, off-kilter...