Roger Ebert

A True American Original: Ted Turner (1938-2026)
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A tribute to the legendary TV magnate, who changed how we consumed movies and news forever.
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“The Terror: Devil in Silver” Fails to Earn a Spot on the Medal Podium
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Too content to deliver its themes and hit the character beats instead of trying to build atmosphere or tension.
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Peacock Takes Us Back to Miami for “M.I.A” Vice and Vengeance
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Could be called “Miami Vice: The Reversal.”
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Female Filmmakers in Focus: Lucrecia Martel on “Nuestra Tierra (Our Land)”
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The director talks about finding ways to center Indigenous voices and unpacking the racist colonial history of Argentina in her new doc.
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BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
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Puts one of the author’s most frequently forgotten characters firmly at the center of her own story.
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How “In a Lonely Place” Changed Noir’s Direction
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A look at how feminine intuition shaped the noir genre through Dorothy B. Hughe's 1947 novel and Nicholas Ray's beloved film adaptation.
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Short Films in Focus: Sound and Color (with Director Emma Foley)
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A conversation with the director behind this riveting short about family tension and Irish repression.
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Milwaukee Film Festival 2026: Making Waves, With Movies, Along the Shores of Lake Michigan
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A dispatch from one of the Midwest's most exciting, challenging film festivals.
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“The Chestnut Man: Hide and Seek” is a Serviceably Grim Nordic Noir Thriller
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It’s a follow-up that ticks many of the same narrative boxes that made its predecessor so successful.
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You Can’t Stay Here: Adam Scott and Damian McCarthy on “Hokum”
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The writer-director and star talk about crafting the many haunting visual and auditory nightmares of Neon's latest chiller.
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