Roger Ebert

Cannes 2024: Emilia Pérez, Three Kilometers to the End of the World, Caught by the Tides
||
If someone told you that Cannes was showing an original musical about a ruthless cartel kingpin who wants to transition and secretly hires a top-flight lawyer to set the logistics in motion, which director would you guess was at the...
continue reading
Cannes 2024: Megalopolis
||
Immediately upon exiting “Megalopolis,” Francis Ford Coppola’s wine-backed passion project, I had a single, inescapable thought: I’m glad I got to watch Coppolla’s “Chi-raq.” For some, that admittedly jarring comparison will be a total turnoff. After all, for Spike Lee,...
continue reading
Cannes 2024: Kinds of Kindness; Oh, Canada; Scénarios
||
For anyone who complained that Yorgos Lanthimos went soft with "Poor Things" and "The Favourite," "Kinds of Kindness" revives the malicious tendencies that have run through even some of his best films. The movie reunites him with his early and frequent...
continue reading
Babes
||
The foundation of most comedy is the gulf between our belief that we can control our bodies, words, and relationships and the reality that, most of the time, they're uncontrollable messes. “Babes” explores that gulf with exuberant joy, endearingly vulnerable...
continue reading
Back to Black
||
Director Sam Taylor-Johnson’s “Back to Black” invokes a single question, one fans of Amy Winehouse are sure to recognize: What kind of f*ckery is this? The Camden-bred superstar, played by Marisa Abela, was famously “just one of the girls.” Down...
continue reading
The Strangers: Chapter 1
||
2008’s “The Strangers” didn’t seem like the kind of film that would produce a series when it was released. But it’s about to explode into precisely that with the release of “The Strangers Trilogy,” three films directed by Renny Harlin...
continue reading
The Big Cigar
||
It's an odd sensation to balance a series that at once works but doesn’t wholly meet your expectations. In the moment, as you’re clearly enjoying yourself, you can’t help but feel a nagging, pestering pull for more. Jim Hecht’s Apple...
continue reading
The Blue Angels
||
"The Blue Angels," a nonfiction film about the Navy's flight demonstration team, was made for IMAX, in two senses of the phrase.  First, technically: according to Cineworld's website, "'The Blue Angels' was shot with Sony's Venice 2 IMAX-certified digital cameras and features IMAX exclusive...
continue reading
You Can’t Run Forever
||
J.K. Simmons knows how to do sociopath. There’s something so fascinating about a performer like Simmons who can pivot from a guy who looks like your average suburban neighbor to a total lunatic with a perfectly timed malevolent smile. He’s...
continue reading
In Our Day
||
The films of the prolific South Korean writer-director Hong Sang Soo are for the most part set in the contemporary world, but they rarely depict the bustle of our times. His characters interact in settings that are quiet, sometimes practically...
continue reading