Roger Ebert

Women Develop New Models of Heroism in Festival Docs
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On the feminist thrust of two acclaimed Sundance docs from this year.
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People Have Theories: “Picnic at Hanging Rock” at 50
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A look back at Peter Weir's mysterious masterpiece.
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Having a Lunatic’s Dream: Emily Bett Rickards on “Queen of the Ring”
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An interview with the star of Queen of the Ring.
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HBO’s “The Righteous Gemstones” Return for Its Darkest Season Yet
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“The Righteous Gemstones” is funny, wry, clever, disgusting, moving, shocking, and endearing in ways that are purely aspirational for most comedies on TV, and I’m sorry to say goodbye to it.
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Female Filmmakers in Focus: Fleur Fortuné on “The Assessment”
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An interview with the director of the Elizabeth Olsen-led sci-fi drama.
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Looking Back: Highlighting Some Great Pieces by Our Female Critics
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Some great reviews and articles by our female critics.
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The Antidote for Fear: Natalie Morales on “My Dead Friend Zoe”
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An interview with the star of the great "My Dead Friend Zoe."
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A Look at the Rich Tapestry of Films Coming from South Africa
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A look at great South African films, all available on Netflix.
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“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
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The ambitious nine-part series lands plenty of punches if you go in knowing that it positions comic-book fare not as escapist entertainment but as bloody, political commentary. 
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International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
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A RogerEbert.com contributor reports from this year's Oscars.
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