Roger Ebert

On the first announcements of Ebertfest 2026, including "The American President" and "Nuremberg."

Confidently written, acted, and directed, HBO’s “DTF St. Louis” could be called a suburban noir.

It’s clever again, emotional again, and surprising again.

A goodbye to one of our favorite writers with links to dozens of her reviews.

Consistently satisfying, riveting, and sometimes even terrifying.

Consistently satisfying, riveting, and sometimes even terrifying.

On a program this week at the Music Box in Chicago that spotlighted filmmaking for Black History Month.

Season 2 of Apple TV's hit delivers on the promise of its freshman outing.

It’s a game with moments that never becomes a sum as interesting as its parts.

Robert Carlock, the showrunner for “30 Rock” and creator of “Unbreakable Kimmy Schmidt,” is back on network TV with a show that could be called “Remember How Funny Tracy Morgan Can Be?” A show built around Morgan’s goofy, likable personality,...