‘The Last Dance’ Ends a Beautiful, Impactful Run for the Long-time Roger Ebert Film Festival
A veteran of Ebertfest offers his take on the The Last Dance, starting tomorrow, Apri 17th.
continue readingNetflix’s “Beef” Returns with a Season as Twisted and Hysterical as the First
The writing is as good as anything on television as Lee’s gift for dialogue and storytelling shines through all eight episodes
continue readingMGM+’s Cult Hit “From” Wanders Through Frustrating Yet Addictive Fourth Season
I get increasingly doubtful that anyone has any idea where this is going.
continue reading“Jury Duty: Company Retreat”‘s Unsuspecting Hero On Life After Rockin’ Grandmas
The everyman at the center of "Jury Duty"'s latest season talks about hot sauce, captain's hats, and being an unwitting hero.
continue readingCannes Announces 2026 Program with New Films by Pedro Almodovar, Hirokazu Kore-eda, Asghar Farhadi, More
The first titles announced for the 79th Cannes Film Festival.
continue readingNetflix’s “Big Mistakes” Starts Off Feeling Small but Settles into Its Best Self
It’s not perfect, but if this is Netflix’s newest “Ozark Lite,” it’s a better one than most of that imitative field.
continue readingHBO’s “Euphoria” Feels as Lost as Its Characters in Riveting, Infuriating Third Season
If the goal is to reflect a lack of direction or focus in the quarter-life crises of its characters through a show that also can’t maintain a train of thought than mission accomplished.
continue readingPeacock’s “The Miniature Wife” is Big on Feelings, and That’s Not Nothing
A setup that begs you to pay attention.
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