Roger Ebert

Female Filmmakers in Focus: Lucrecia Martel on “Nuestra Tierra (Our Land)”
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The director talks about finding ways to center Indigenous voices and unpacking the racist colonial history of Argentina in her new doc.
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BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
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Puts one of the author’s most frequently forgotten characters firmly at the center of her own story.
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How “In a Lonely Place” Changed Noir’s Direction
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A look at how feminine intuition shaped the noir genre through Dorothy B. Hughe's 1947 novel and Nicholas Ray's beloved film adaptation.
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Short Films in Focus: Sound and Color (with Director Emma Foley)
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A conversation with the director behind this riveting short about family tension and Irish repression.
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Milwaukee Film Festival 2026: Making Waves, With Movies, Along the Shores of Lake Michigan
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A dispatch from one of the Midwest's most exciting, challenging film festivals.
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“The Chestnut Man: Hide and Seek” is a Serviceably Grim Nordic Noir Thriller
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It’s a follow-up that ticks many of the same narrative boxes that made its predecessor so successful.
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You Can’t Stay Here: Adam Scott and Damian McCarthy on “Hokum”
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The writer-director and star talk about crafting the many haunting visual and auditory nightmares of Neon's latest chiller.
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The Unloved, Part 149: Oh… Rosalinda!!
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On one of Powell & Pressburger's most maligned 1950s films, which deserves more consideration than it got at the time.
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Home Entertainment Guide April 2026: Send Help, 28 Years Later: The Bone Temple, Highest 2 Lowest, More
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The latest physical media releases include Send Help, The Bone Temple, Highest 2 Lowest, Die My Love, and Criterion editions of Point Blank and The Life of Brian.
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Criterion Venerates Three Essential Works of ’90s Black Cinema with “John Singleton’s Hood Trilogy”
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Examining Criterion's latest box set, which gives Singleton's '90s hood dramas the respect they deserve.
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