Roger Ebert

“The Boys” Remains the Most Pressing Superhero Show of Our Time With Electric Final Season
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“The Boys” has always been a show that gives its actors challenging material, but this season takes the cake.
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“Star Wars” Keeps Its Animation on the Dark Side (Literally) with “Maul – Shadow Lord”
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Perpetuates my fears about Dave Filoni and this new era of “Star Wars.” 
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Hope-Core: Daniel Pemberton on Composing “Project Hail Mary”
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The composer talks about scoring for Earth and the stars, collaborating with Lord and Miller, and what exactly a cristal baschet is.
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Season 2 of “Your Friends & Neighbors” Serves Another Course of Hamm-Flavored Suburban Malaise
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An upper-class suburban enclave version of “Lord of the Flies.”
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Join Us for the Inaugural FECK Awards Gala This Saturday, April 4th
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A preview of the recipients of Chaz Ebert's first ever FECK awards, along with more details of the inaugural gala.
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Full Schedule for Ebertfest 2026 Released and Individual Tickets Now On Sale
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A preview of the last Ebertfest (for now).
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Hulu’s “The Testaments” Returns to Gilead For Another Timely Tale About Privilege and Complicity 
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While “The Testaments” may approach its subject matter quite differently, its themes are no less complex.
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“It Became a Dark Place”: Chief Geoffrey Standing Bear on “Killers of the Flower Moon”
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The Osage chief talks about the impact of Scorsese's film on the Reign of Terror and its Oscar campaign attention, in time for its Criterion release.
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Female Filmmakers in Focus: Sophy Romvair on “Blue Heron”
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The debut filmmaker talks about how images and image-making impact our experience of time and memory, and more.
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Female Filmmakers in Focus: Sophy Romvari on “Blue Heron”
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The debut filmmaker talks about how images and image-making impact our experience of time and memory, and more.
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