Roger Ebert

SXSW 2026: Crash Land, The Fox, Love Language
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On three films emblematic of the prototypical SXSW film, for all the good and ill that entails.
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SXSW 2025: baby/girls, Manhood, Drift
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On three docs tackling everything from young mothers to tall buildings to male insecurity from this year's fest.
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SXSW 2026: baby/girls, Manhood, Drift
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On three docs tackling everything from young mothers to tall buildings to male insecurity from this year's fest.
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Inaugural FECK Awards to Honor Extraordinary Changemakers in Chicago on April 4th at the Ritz Carlton
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I am thrilled to announce that the Inaugural edition of The FECK Awards will be celebrating amazing individuals and/or organizations in Chicago on Saturday, April 4th, who truly embody the principles detailed in my book, It’s Time to Give a FECK:...
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SXSW 2025: Beast Race (Corrida Dos Bichos), Campeón Gabacho, Grind
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On three wacky rides through late-stage capitalism from this year's festival.
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SXSW 2026: Brian, Basic, Seekers of Infinite Love
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A final dispatch on three comedies from SXSW, two of which are worth putting on your watchlist.
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SXSW 2026: Never After Dark, Dreamquil, Drag
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On three more genre flicks from a horror-heavy SXSW this year.
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“The Faithful: Women of the Bible” Doesn’t Match the Grandeur of its Premise
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Surely an IP as important as The Bible deserves a higher budget.
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Prime Video’s “Jury Duty” Acquits Itself Nicely With Its Followup, “Company Retreat”
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Manages to pull off the impossible feat of making lightning strike twice.
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A Screenwriter’s Dream—and Nightmare: Drew Goddard on “Project Hail Mary”
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The screenwriter talks about adapting Andy Weir's novel for the screen, and the challenge of writing dialogue for smart characters.
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